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Gernikaren itzalpean

Propaganda, Appropriation, and Depoliticisation of Basque Art Music

Bibliographic Data

ID6047441
AuthorsJosé L Besada (0000-0002-8469-2889), Ainara Zubizarreta
Year2019
Volume28
Issue3
Pages25-38
Publication date2019-01-03
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCircuit Musiques contemporaines (JOURNAL)
Journal identifiersISSN: 1183-1693 • E-ISSN: 1488-9692
PublisherConsortium Erudit (PUBLISHER • CA)
DOI10.7202/1055192ar
OpenAlexW2910332568
LanguageEN
Citations received1
References cited20

The Bombing of Guernica stands as the best-known war crime during the Spanish Civil War. The town symbolically representing the Basque essences was destroyed by a German-Italian air raid lasting over three hours, and almost two hundred people were killed. Unfortunately, this abominable event remains contentious among disparate political factions, sometimes upholding its memory by means of tailor-made interpretations.As music often performs a political role within conflicts, particularly those involving violence, it is not surprising that the Bombing of Guernica has inspired several compositions of art music. Among them, we study three works by Basque composers, namely Pablo Sorozábal, Francisco Escudero, and Ramon Lazkano. Each case study respectively stands, politically speaking, as a propagandistic event, a musical appropriation, and a collateral depoliticization of the vivid memories around the war crime

Ancient history · Appropriation · Art · Art history · Battlefield · Collective memory · German · Humanities · Linguistics · Musical · Political science · Politics · Sociology · Spanish Civil War · Visual arts · Basque language and culture studies · History · Law · Philosophy · Spanish Culture and Identity · Spanish History and Politics

  • Ramon Lazkano’s Territories

    Martin Kaltenecker•Contemporary Music Review•2019

  • Music and Conflict Transformation

    Olivier Olivier•Music and Conflict Transformation•2007

  • The Spanish Civil War

    Open Access•Stanley G Payne•Spanish Civil War•2012

  • Politicians and Rhetoric

    Open Access•Jonathan Charteris-Black, Jonathan Charteris‐black•Politicians and Rhetoric•2005

  • Spanish Composers within and without Borders

    Annelies Fryberger, Luis Velasco-Pufleau•Contemporary Music Review•2019

  • Songs of seduction

    Robert Hudson•Patterns of Prejudice•2003

  • Sounds of the Borderland

    Catherine Baker•Sounds of the Borderland•2010

  • Gernika, Guernica, Guernica

    Open Access•Pauliina Raento, Cameron J Watson et al.•Political Geography•2000

  • Myth and mobilisation

    Open Access•Matthew Levinger, Paula Franklin Lytle•Nations and Nationalism•2001

  • Two Feelings' with Lachenmann

    Ramon Lazkano•Contemporary Music Review•2004

  • The aesthetic of radicalism

    Open Access•Christian Lahusen•Popular Music•1993

  • This is not a Rebel Song

    Open Access•Bill Rolston•Race & Class•2001

Unique citing works1
Citations per year0,14
Citation span2019 - 2019 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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