The aesthetic of radicalism
The relationship between punk and the patriotic nationalist movement of the Basque country
Bibliographic Data
| ID | 4864060 |
|---|---|
| Authors | Christian Lahusen (0000-0002-8286-0885, corresponding author) |
| Year | 1993 |
| Volume | 12 |
| Issue | 3 |
| Pages | 263-280 |
| Publication date | 1993-10-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Popular Music (JOURNAL) |
| Journal identifiers | ISSN: 0261-1430 • E-ISSN: 1474-0095 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0261143000005717 |
| OpenAlex | W2152276441 |
| Language | EN |
| Citations received | 19 |
| References cited | 15 |
Our time has come Tio/ I'm Basque and I'm proud/ That's enough Tio, say it loud/I'm Basque and I'm proud! (Negu Gorriak, 1989)The relationship between popular music and social movements does not in itself constitute an exceptional phenomenon. However, Basque Radical Rock (as Basque punk has come to be called) has emerged as a peculiar phenomenon of the history of political mobilisation in Euskadi (the Basque name for Basque country). This peculiarity is due to the fusion of an eminently anti-establishment music of anglo-saxon origin with a nationalist patriotic movement. The 'alliance' between these two such diverse spheres is the theme of this article. Such an alliance is of interest because it reveals how the discursive and organisational linkages which formed Basque radical rock defined a common struggle shared by punks and nationalist activists
Aesthetics · Alliance · Art · Art history · Media studies · Movement (music · Nationalism · Nationalist Movement · Phenomenon · Political radicalism · Political science · Politics · Punk · Sociology · Theme (computing · Canadian Identity and History · Gender Studies · History · Law · Linguistic and Sociocultural Studies · Music History and Culture · Philosophy
De los cantautores al Rock Radical. Una aproximación a la música popular y juventud en la vida política del País Vasco (1960-1990)
Community Administration as Cultural Policy
Las gentes vascas también bailan. Experimentación y conflictos en torno a la música electrónica en Euskal Herria
La representación audiovisual de la música punk
Pop, Punk, and Rock & Roll Writers
"More Basque than You!"
El terrorismo en la música vasca
Twenty Years After
The Bergsonian Link Between Emotion, Music and Place
Playing terrorist
The nation as an imagined commodity
Basque Pagan Metal
Patterns of identity
Taking Murals Seriously
Folklore and Basque Nationalism
Gernikaren itzalpean
Instrumental routes to emotional geographies
The Art of Doing (Geographies of) Music
The Mondragón Model as Post-Fordist Discourse
Purity and Danger
ETA and Basque nationalism
Purity and Danger
National identity and political violence in the Basque country
Imagined communities
Frame Alignment Processes, Micromobilization, and Movement Participation
Le Parti nationaliste basque
The Canadian West Coast Punk Subculture
Imagined Communities. Reflections on the Origin and Spread of Nationalism
Dramas, Fields, and Metaphors
La punkitude, ou un certain dandysme
From Ritual to Theatre
Punk and Middle-Class Values
| Unique citing works | 19 |
|---|---|
| Citations per year | 0,63 |
| Citation span | 1996 - 2022 (27) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 18 |