Mirroring the Self through Hamlet Affective Aesthetic Experience
Bibliographic Data
| ID | 6071127 |
|---|---|
| Authors | Maria Antonietta Impedovo (0000-0003-2172-7105, Aix-Marseille Université, corresponding author), Maria Impedovo |
| Year | 2025 |
| Volume | 59 |
| Issue | 3 |
| Pages | 57-57 |
| Publication date | 2025-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Integrative Psychological and Behavioral Science (JOURNAL) |
| Journal identifiers | ISSN: 1932-4502 • E-ISSN: 1936-3567 |
| Publisher | Springer Science and Business Media LLC (PUBLISHER) |
| DOI | 10.1007/s12124-025-09926-3 |
| PMID | 40663237 |
| OpenAlex | W4412418895 |
| Language | EN |
| References cited | 17 |
Aesthetics · Art · HAMLET (protein complex · Literature · Mirroring · Psychoanalysis · Self · Sociology · Language, Metaphor, and Cognition · Psychology · Social Psychology · Social Representations and Identity · Theatre and Performance Studies
New Perspectives on Inner Speech
An Invitation to Cultural Psychology
The Construction and Reconstruction of a Dialogical Self
Forms of Dialogical Relations and Semiotic Autoregulation within the Self
Vygotsky's Stage Theory
A Re-examination of Defining Moments in Vygotsky's Work and Their Implications for His Continuing Legacy
Emergence of Meaning Amidst a Tension Between Forms and Contents
Why Fiction May be Twice as True as Fact
The Construction of a Personal Position Repertoire
| Citation velocity | historical |
|---|---|
| Highly cited | No |