Whose line is it anyway
The diffusion of discursive frames in Pride movements of the South
Bibliographic Data
| ID | 6084201 |
|---|---|
| Authors | Sam Bennett (0009-0007-8145-0028) |
| Year | 2017 |
| Volume | 16 |
| Issue | 3 |
| Pages | 345-366 |
| Publication date | 2017-06-22 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Language and Politics (JOURNAL) |
| Journal identifiers | ISSN: 1569-2159 • E-ISSN: 1569-9862 |
| Publisher | John Benjamins Publishing Company (PUBLISHER • NL) |
| DOI | 10.1075/jlp.16008.ben |
| OpenAlex | W2604389611 |
| Language | EN |
| Citations received | 1 |
| References cited | 30 |
Pride marches are increasingly common in the 'global South' and can be seen as signs of progress towards greater social acceptance of sexual minorities. Such movements often appropriate and mimic semiotic symbols and discursive frames visible in Pride movements in countries in the North, such as rainbow flags and the discourse of human rights. However, there is also a degree of recontextualisation of these symbols and frames in order to deal with specific local social, political, cultural and economic contexts. Though at different 'stages' of acceptance of non-heteronormative lifestyles, India and South Africa offer fruitful sites for comparative, qualitative research. In analysing the language of print media as a way of gauging how Pride movements are discursively constructed, the paper focuses on nominational and predicational strategies (Reisigl and Wodak 2001) to critically analyse actor representations in a sample of articles from national newspapers from each country
FLAGS register · Linguistics · Media studies · Newspaper · Political science · Politics · Pride · Semiotics · Social movement · Sociology · African Sexualities and LGBTQ+ Issues · Cultural Identity and Representation · Media, Gender, and Advertising · Gender Studies · Law
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| Unique citing works | 1 |
|---|---|
| Citations per year | 0,2 |
| Citation span | 2021 - 2021 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |