Consuming Revolution
Ethics, Art and Ambivalence in the Arab Spring
Bibliographic Data
| ID | 6093334 |
|---|---|
| Authors | Nancy Demerdash (Princeton University, corresponding author) |
| Year | 2012 |
| Volume | 2 |
| Publication date | 2012-12-03 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | New Middle Eastern Studies (JOURNAL) |
| Journal identifiers | ISSN: 2051-0861 • E-ISSN: 2051-0861 |
| Publisher | University of Leicester (PUBLISHER • GB) |
| DOI | 10.29311/nmes.v2i0.2616 |
| OpenAlex | W2801210624 |
| Language | EN |
| Citations received | 6 |
The scenes from the momentous spring of 2011 are all too familiar to us now: masses of people crowding the streets of downtown metropolises, holding up signs, waving their flags, proudly marking what is theirs—their nation—and what deserves to be theirs—a civil democracy. These reclamations have been appropriately dubbed by many in the Arabic press as “dignity revolutions
Ambivalence · Arabic · Art · Democracy · Dignity · Downtown · FLAGS register · Media studies · Painting · Political science · Politics · Psychoanalysis · Sociology · Visual arts · Engineering · History · Jewish and Middle Eastern Studies · Law · Middle East Politics and Society · Philosophy · Psychology · Public Spaces through Art
El Mahragan como espacio fronterizo
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In My Name and the Name of All People Who Live in Misery
Le discours politique de la Galerie nationale des beaux-arts de Jordanie
| Unique citing works | 6 |
|---|---|
| Citations per year | 0,67 |
| Citation span | 2017 - 2023 (7) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 5 |