Filling the Void
Virginia Woolf and the Feminism of Difference in Italy
Bibliographic Data
| ID | 6127368 |
|---|---|
| Authors | Elisa Bolchi (0000-0002-4093-9819, University of Reading, corresponding author) |
| Year | 2021 |
| Volume | 41 |
| Issue | 1 |
| Pages | 97-115 |
| Publication date | 2021-01-02 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Italianist (JOURNAL) |
| Journal identifiers | ISSN: 1748-619X • E-ISSN: 0261-4340 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/02614340.2021.1922177 |
| OpenAlex | W3164918248 |
| Language | EN |
| Citations received | 1 |
Using unpublished archival material, this article analyses the reception of Virginia Woolf in the Milanese feminist context of the late 1970s, attempting to understand the role Woolf’s work played in the theoretical development of the feminism of difference in Italy. The study focuses on two key texts: the Italian publication of Three Guineas by the feminist press La Tartaruga; and the Catalogo giallo, the second publication of the Milan-based Libreria delle donne, which played a vital role in the evolution of the feminism of difference
Archaeology · Art · Art history · Context (archaeology · Epistemology · Feminism · Literature · Sociology · The Void · Cultural History and Identity Formation · Gender Studies · Historical Gender and Feminism Studies · History · Italian Fascism and Post-war Society · Philosophy
| Citations per year | 0.33 |
|---|---|
| Citation span | 2023 - 2023 (1) |
| Highly cited | No |