The Pursuit of Feminist Language in Elena Ferrante’s Neapolitan Quartet

Bibliographic Data

ID6127467
AuthorsCarlotta Moro (0000-0001-8263-5365, University of St Andrews, corresponding author)
Year2023
Volume43
Issue1
Pages133-155
Publication date2023-01-02
Open AccessYes
TypeARTICLE
VenueThe Italianist (JOURNAL)
Journal identifiersISSN: 1748-619X • E-ISSN: 0261-4340
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/02614340.2023.2254125
OpenAlexW4386820393
LanguageEN
Citations received1
References cited7

The issue of women's relationship to language is at the heart of Elena Ferrante's thought and fiction. This article examines the Neapolitan tetralogy's pursuit of a feminist tongue that would enable women to flee the 'cage' of the patriarchal symbolic order. First, the exchange of the dolls for Little Women will be interpreted as a transaction that taints literary language as 'the master's tool'. Then, focusing on the relationship between the narrator and Lila, the article will trace Ferrante's reflection on the inevitability of the phallogocentric poetic voice attained at the expense of a subaltern muse. Lila's disappearance emerges as the only strategy of resistance, but this gesture leads to an outcome akin to the silencing that has excluded women from the canon. Ferrante suggests that women are rendered mute in the patriarchal symbolic order: their voices are unheard, ignored, misinterpreted, or suppressed, or become material for their manufacturing

Aesthetics · Art · Gesture · Linguistics · Literature · Order (exchange · Poetry · Psychoanalysis · Sociology · Subaltern · The Symbolic · Gender Studies · Italian Fascism and Post-war Society · Law · Philosophy · Psychology

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