Femmes et enfants en lutte. Sur la spectatorialité dans les critiques de cinéma de Hasumi Shiguéhiko

In his many publications on cinema, Hasumi Shigehiko has paid little attention to the actual spectator, which is at odds with the overall trend of film and cultural studies. However, his readers from the 1980s onwards were compelled to rush and see the retrospectives of Ernst Lubitsch and Jean Renoir, and as such considered a kind of spectator in the making. Even when reviewing an old film, he disregarded the spectator of the past to focus entirely on this spectator of the future. So, in these circumstances, what becomes of the spectator in the present

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