Amira Zegrour
Biographic Data
| ID | 4433276 |
|---|---|
| NAME | Amira Zegrour |
| GIVEN NAMES | Amira |
| FAMILY NAME | Zegrour |
| SIGNATURE | ZEGROUR A |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 1 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Sur la notion de « tradition » dans l’artisanat japonais
Dans le contexte de la mondialisation, une réflexion sur la notion de « tradition » dans l’éducation contemporaine au Japon s’avère nécessaire. Les domaines qui sollicitent ce concept – arts, patrimoine, artisanat industriel – participent à revaloriser l’artisanat et à lui conférer une place centrale. Une certaine continuité s’en dégage : la quête de sens du travail manuel. Loin d’une simple imitation, la tradition y apparaît comme un processus d…
Droit de réponse à l’article de Yoshiko Suto et à l’introduction au dossier « Pratiques Situées
Ranpo par inflexion ou Nagoya en mutation, recension de Ranpo et Nagoya
Analyse de Ranpo et Nagoya : modernisme d’une ville de province et paysage primitif du roman policier, de Komatsu Shōko. C’est à Nagoya que Ranpo a passé la majeure partie de son enfance. Comment la culture urbaine moderniste de la fin de l’ère Meiji, avec son mélange de conservatisme et de progressisme, a influence la sensibilité de Ranpo en tant qu’auteur ? Ce livre examine les tendances des romans à mystère autour de la personne de Ranpo
Femmes et enfants en lutte. Sur la spectatorialité dans les critiques de cinéma de Hasumi Shiguéhiko
In his many publications on cinema, Hasumi Shigehiko has paid little attention to the actual spectator, which is at odds with the overall trend of film and cultural studies. However, his readers from the 1980s onwards were compelled to rush and see the retrospectives of Ernst Lubitsch and Jean Renoir, and as such considered a kind of spectator in the making. Even when reviewing an old film, he disregarded the spectator of the past to focus entire…
Le cinéma japonais indīzu et la fabrique néolibérale de l’auteur et de l’autrice
This article looks at a recent practice of promoting indīzu (independent filmmaking) through a specific film event and network called MOOSIC LAB, which connects independent film production and distribution with Japan’s neoliberal kontentsu (contents) industry. This practice of indīzu should be distinguished both from the traditional independent and amateur filmmaking and from the art house cinema promoted by the European festival film circuit. Fo…
Kamaishi face aux crises pluridimensionnelles d’après-guerre. Catastrophes, restructuration industrielle et décroissance démographique
The local communities of modern Japan are faced with multidimensional crises: chronic crises, such as population decline; gradual crises, like the decline of basic industries; and sudden crises, like natural disasters and war damage. This stratification renders both regional responses and the implementation of measures inappropriate. This research focuses on the city of Kamaishi in Iwate Prefecture, and aims to examine the history of these differ…
Portrait diffracté de l’« architecte
Known as “the three lost decades”, the Heisei era saw the persistent decline of Japan’s place in the world. Like the series of disasters of the time, including the major earthquake off the Pacific coast of Tōhoku, the shift from “scrap and build” to rehabilitation shook the very foundations of Japan’s architectural realm, as architects – despite their activities abroad – no longer had their place against the growing monopoly of the super zenekon …
La marchandisation d’« Edo » pendant les ères Meiji et Taishō. La création des « motifs Genroku » et d’un « goût pour Edo » par le grand magasin Mitsukoshi
In the Meiji 20s (1887–1896), the political development of an “Edo style” came about as a form of resistance to Europeanisation policies and reflected a desire to preserve national characteristics. Although the phenomenon has been analysed in studies of Japanese nation-state building, in which Edo culture created unique “Japanese traditions” and thus united the country as a nation-state, its commercialisation has not been fully explored. This pap…
Portrait diffracté de l’« architecte
Known as “the three lost decades”, the Heisei era saw the persistent decline of Japan’s place in the world. Like the series of disasters of the time, including the major earthquake off the Pacific coast of Tōhoku, the shift from “scrap and build” to rehabilitation shook the very foundations of Japan’s architectural realm, as architects – despite their activities abroad – no longer had their place against the growing monopoly of the super zenekon …
La marchandisation d’« Edo » pendant les ères Meiji et Taishō. La création des « motifs Genroku » et d’un « goût pour Edo » par le grand magasin Mitsukoshi
In the Meiji 20s (1887–1896), the political development of an “Edo style” came about as a form of resistance to Europeanisation policies and reflected a desire to preserve national characteristics. Although the phenomenon has been analysed in studies of Japanese nation-state building, in which Edo culture created unique “Japanese traditions” and thus united the country as a nation-state, its commercialisation has not been fully explored. This pap…
Portrait diffracté de l’« architecte
Known as “the three lost decades”, the Heisei era saw the persistent decline of Japan’s place in the world. Like the series of disasters of the time, including the major earthquake off the Pacific coast of Tōhoku, the shift from “scrap and build” to rehabilitation shook the very foundations of Japan’s architectural realm, as architects – despite their activities abroad – no longer had their place against the growing monopoly of the super zenekon …
Kamaishi face aux crises pluridimensionnelles d’après-guerre. Catastrophes, restructuration industrielle et décroissance démographique
The local communities of modern Japan are faced with multidimensional crises: chronic crises, such as population decline; gradual crises, like the decline of basic industries; and sudden crises, like natural disasters and war damage. This stratification renders both regional responses and the implementation of measures inappropriate. This research focuses on the city of Kamaishi in Iwate Prefecture, and aims to examine the history of these differ…
Femmes et enfants en lutte. Sur la spectatorialité dans les critiques de cinéma de Hasumi Shiguéhiko
In his many publications on cinema, Hasumi Shigehiko has paid little attention to the actual spectator, which is at odds with the overall trend of film and cultural studies. However, his readers from the 1980s onwards were compelled to rush and see the retrospectives of Ernst Lubitsch and Jean Renoir, and as such considered a kind of spectator in the making. Even when reviewing an old film, he disregarded the spectator of the past to focus entire…
Le cinéma japonais indīzu et la fabrique néolibérale de l’auteur et de l’autrice
This article looks at a recent practice of promoting indīzu (independent filmmaking) through a specific film event and network called MOOSIC LAB, which connects independent film production and distribution with Japan’s neoliberal kontentsu (contents) industry. This practice of indīzu should be distinguished both from the traditional independent and amateur filmmaking and from the art house cinema promoted by the European festival film circuit. Fo…
Ranpo par inflexion ou Nagoya en mutation, recension de Ranpo et Nagoya
Analyse de Ranpo et Nagoya : modernisme d’une ville de province et paysage primitif du roman policier, de Komatsu Shōko. C’est à Nagoya que Ranpo a passé la majeure partie de son enfance. Comment la culture urbaine moderniste de la fin de l’ère Meiji, avec son mélange de conservatisme et de progressisme, a influence la sensibilité de Ranpo en tant qu’auteur ? Ce livre examine les tendances des romans à mystère autour de la personne de Ranpo
Sur la notion de « tradition » dans l’artisanat japonais
Dans le contexte de la mondialisation, une réflexion sur la notion de « tradition » dans l’éducation contemporaine au Japon s’avère nécessaire. Les domaines qui sollicitent ce concept – arts, patrimoine, artisanat industriel – participent à revaloriser l’artisanat et à lui conférer une place centrale. Une certaine continuité s’en dégage : la quête de sens du travail manuel. Loin d’une simple imitation, la tradition y apparaît comme un processus d…
Droit de réponse à l’article de Yoshiko Suto et à l’introduction au dossier « Pratiques Situées
Art (5 works) · Humanities (5 works) · French Urban and Social Studies (4 works) · Japanese History and Culture (3 works) · Political science (3 works) · Education, sociology, and vocational training (2 works) · China's Global Influence and Migration (1 works) · Cinema and Media Studies (1 works) · Contemporary art, education, critique (1 works) · Crime and Detective Fiction Studies (1 works)