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Negotiating Transcendentalism, Escaping « Paradise

Herman Melville’s Moby-Dick

Bibliographic Data

ID6187918
AuthorsRamón Espejo Romero (0000-0002-4239-244X, corresponding author)
Year2010
Volume5
Issue1
Publication date2010-01-24
Open AccessYes
TypeARTICLE
VenueEuropean Journal of American Studies (JOURNAL)
Journal identifiersISSN: 1991-9336 • E-ISSN: 1991-9336
PublisherOpenEdition (PUBLISHER)
DOI10.4000/ejas.8467
OpenAlexW2063337049
LanguageEN
Citations received1
References cited14

By reviewing the critical literature on Melville and Transcendentalism and then undertaking a close reading of Moby-Dick (1851), this paper argues that the novel reflects, among other things, an ongoing debate between the novelist and Transcendentalist philosophy. While in later works, Melville seems to express a more robust condemnation of the Concord movement and its dangerous idealism, Moby-Dick occupies less firmly-defined territory. The Transcendentalist urge of an Ahab to be himself is a counterpoint to Ishmael’s more idiosyncratic deployment of self-reliance, communion with the oversoul, and various other concepts easy to trace back to Emerson or Thoreau. The conclusion seems to be that a negotiation is necessary if Transcendentalism is to be heeded at all, precisely the kind of negotiation Ishmael undertakes throughout the novel, one which spares him from the maelstrom created by a more radical approach to self-acceptance and self-fashioning

Aesthetics · Art · Art history · Counterpoint · Epistemology · Idealism · Literature · Negotiation · Paradise · Paradise lost · Political science · Reading (process · Sociology · Law · Philosophy

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Citations per year0.2
Citation span2021 - 2021 (1)
Highly citedNo

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