Mentoring as affective practice
Bibliographic Data
| ID | 6429262 |
|---|---|
| Authors | Stephanie Taylor (0000-0001-7454-6354, The Open University), Susan Luckman (0000-0001-6047-4767, UniSA Creative, University of South Australia, Adelaide) |
| Year | 2024 |
| Volume | 31 |
| Issue | 2 |
| Pages | 253-266 |
| Publication date | 2024-03-27 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | International Journal of Cultural Policy (JOURNAL) |
| Journal identifiers | ISSN: 1028-6632 • E-ISSN: 1477-2833 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/10286632.2024.2320427 |
| OpenAlex | W4393226475 |
| Language | EN |
| Citations received | 4 |
| References cited | 37 |
This paper discusses the potential contributions that an arts mentoring program can make to the support of artists and creative practitioners contending with the challenges of the post-pandemic creative sector. In so doing, it also considers possible criticisms of the efficacy of arts mentoring, given the uncertainty and precariousness that characterise careers in the cultural sector. To explore these ideas, the paper presents an analysis of interview data from research on a recent arts mentoring program in Australia. Utilising the concept of 'affective practice' from critical discursive psychology, the paper argues that the benefits of mentoring go beyond practical contributions like skills guidance or 'gate opening' by mentors. Additionally, a mentoring program can function as a site in which the 'feeling experiences' that derive from the cultural and personal associations of a creative or artistic practice can be reinforced, through the program itself and through the relationship between mentor and mentee, potentially strengthening artistic and creative activities and their practitioners, and thereby perpetuating the survival and growth of contemporary art worlds
Aesthetics · Art · Political science · Public relations · Sociology · Counseling, Therapy, and Family Dynamics · Educational and Psychological Assessments · Innovative Education and Learning Practices · Psychology
Confidence Culture
Toward a psychology of being.
Creative Labour
British Fashion Design
Gender, Subjectivity, and Cultural Work
From Holloway to Hollywood
Contemporary Identities of Creativity and Creative Work
The Politics of Cultural Work
Craft and the Creative Economy
Professional Career Development in the Arts Management of Supported Studios in Australia
Emotion, Affective Practices, and the Past in the Present
‘One participant said …’
Defrosting the freezer and other acts of quiet resistance
Discursive and Psychosocial? Theorising a Complex Contemporary Subject
The romance of work
Friends tell it like it is
Ambivalent influencers
Unspeakable Inequalities
Craft and the creative economy
Balancing Act
Be creative
Bridging, nudging and translating
Looking on the bright side
Transcending utility? The gendered conflicts of a contemporary creative identification
Affect, practice and contingency
The Affect Theory Reader
Affect and Emotion
Positioning and Interpretative Repertoires
The social constructionist movement in modern psychology
The neurotic citizen
The Psychic Life of Neoliberalism
The neurotic academic
| Unique citing works | 4 |
|---|---|
| Citations per year | 2 |
| Citation span | 2024 - 2026 (3) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 3 |