Eurovision Song Contest
From Apolitical to Mega‐Political
Bibliographic Data
| ID | 6445396 |
|---|---|
| Authors | Christina Öberg (0000-0003-2632-6378, Linnaeus University, corresponding author) |
| Year | 2025 |
| Volume | 53 |
| Issue | 3 |
| Publication date | 2025-06-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Politics & Policy (JOURNAL) |
| Journal identifiers | ISSN: 1555-5623 • E-ISSN: 1747-1346 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/polp.70051 |
| OpenAlex | W4411670164 |
| Language | EN |
| Citations received | 1 |
| References cited | 57 |
In the realm of a changing geopolitical landscape and the concomitant politicization of culture, this article focuses on how shifts in political orders within the broader context affect and politicize a cultural party. The study draws inspiration from the Eurovision Song Contest (ESC) and how the 2024 edition of the contest underscored, more than ever, the extent to which the contest has become a political battleground—not as a result of its own actions, but due to what is termed here contextual politicization . I problematize and illustrate how purportedly apolitical strategies may acquire mega‐political significance following contextual changes that obscure an organization's foundational objectives. The conceptual analysis is supported by examples comparing ESC history and ambitions with the 2024 edition. It highlights how contextual shifts have undermined the feasibility of ESC's past strategy of avoidance to remain neutral—involuntarily politicizing the ESC in contrast to its foundational aspirations and historical developments at both the macro and micro levels. Moreover, the study demonstrates how the distributed body of ESC—including the EBU, voters, contestants, participating countries, and contest content—engages with politicization in heterogeneous ways. This dynamic results in internal tensions and creates paradoxes in relation to the ESC's objectives, underscoring how even initiatives aimed at peace and collaboration may become obscured within politicized contexts. The study contributes to existing research by theorizing contextual politicization, its conditions, and its effects, thereby offering a novel perspective to the scholarship on the politicization of popular culture. Related Articles Bache, I. 2025. “The Multiple Streams Framework and Non‐Politicized Issues: The Case of Assisted Dying/Assisted Suicide.” Politics & Policy 53, no. 1: e70016. https://doi.org/10.1111/polp.70016 . Skowronska, K. 2021. “The Recent Politicization of Immigration in Poland in Light of Preexisting State Practices: Continuity or Change in the Understanding of Citizenship and Nationhood?” Politics & Policy 49, no. 4: 940–967. https://doi.org/10.1111/polp.12424 . Murray, S. 2017. “Sports Diplomacy in the Australian Context: Theory into Strategy.” Politics & Policy 45, no. 5: 841–861. https://doi.org/10.1111/polp.12218
Astronomy · CONTEST · Media studies · Mega · Physics · Political science · Politics · Sociology · Asian Culture and Media Studies · Law
Toward a Theory of Paradox
Paradox Research in Management Science
Seeking Qualitative Rigor in Inductive Research
The Eurovision Song Contest
Living With Contradictions
Globalization and American Popular Culture
Eurovisions
Taming rock music in communist states
Constructing Political Culture Theory
Wild Dances and Dying Wolves
On the Couch with Europe
The Eurovision song contest and the potential of unintended events and public diplomacy
Media events and cosmopolitan fandom
Douze point
New face of Serbia’ at the Eurovision Song Contest
Now everybody can wear a skirt’
Towards a theory of participatory diplomacy via the Eurovision Song Contest
Militarization and popular culture in the shadow of war
Management paradoxes
Why is the Eurovision Song Contest Ridiculous? Exploring a Spectacle of Embarrassment, Irony and Identity
Impartiality, friendship-networks and voting behavior
Are you sure you’re not gay
Voting in the Eurovision Song Contest
The Eurovision Song Contest – A Continent (still) Divided
The ‘gay Olympics’? The Eurovision Song Contest and the politics of LGBT/European belonging
More than just music
Examining Collusion and Voting Biases Between Countries During the Eurovision Song Contest Since 1957
Where We At? New Directions for Research on Popular Culture and World Politics
Playing at Politics? Popular Culture as Political Engagement
Popular culture, the body and world politics
Politics and Popular Culture
Re-visioning Cultures of Politics
Music, Sound, Politics
Tension Management, Deviance, and Social Change
| Unique citing works | 1 |
|---|---|
| Citations per year | 1 |
| Citation span | 2025 - 2025 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |