Genesis
Bibliographic Data
| ID | 6538980 |
|---|---|
| Authors | Michel Serres (corresponding author) |
| Translators | Genevieve James (0000-0002-7779-5409), James Nielson |
| Year | 1995 |
| Pages | 142 |
| Publication date | 1995-01-01 |
| Open Access | No |
| Type | BOOK |
| Venue | Genesis (SOURCE_BOOK) |
| Publisher | University of Michigan Press (PUBLISHER • US) |
| DOI | 10.3998/mpub.14807 |
| OpenAlex | W4253706025 |
| ISBN | 9780472105922 |
| Open Library | OL1270378M |
| Language | EN |
| Citations received | 139 |
Serres draws on a vast knowledge of anthropology, classical history, music, theology, art history, information theory, physics, biology, dance and athletics, and Western metaphysics and on a range of writers that includes Plato, Leibniz, Kant, August Comte, Georges Dumezil, Rene Girard, Racine, La Fontaine, Beaumarchais, Balzac, and Shakespeare. He argues that, although philosophy has been instrumental in the past in establishing laws of logic and rationality that have been crucial to our understanding of ourselves and our universe, one of the most pressing tasks of thought today is to recognize that such pockets of unity are islands of order in a sea of multiplicity - a sea that cannot really be conceived but that perhaps can still be sensed, felt, and heard raging in chaos beneath the momentary crests of order imposed by human civilization. Philosophy of science or prose poetry, a classical meditation on metaphysics or a stream-of-consciousness polemic and veiled invective - Genesis may be all of these and more. Serres mounts a polemical, quirky, at times rhapsodical, but above all "noisy," critique of traditional and current models in social theory, historiography, philosophy of science, aesthetics, and metaphysics. The result is a work that is at once provocative, poetic, deeply personal, and ultimately religious - an apocalyptic call for the rebirth of philosophy as the art of thinking the unthinkable
Biblical Studies and Interpretation · Cultural and Mythological Studies · Medieval Literature and History · Philosophy · Bible, criticism, interpretation, etc., o. t. pentateuch
Porous becomings: Anthropological engagements with Michel Serres By AndreasBandak, Daniel M.Knight, Durham: Duke University Press. 2024. 344 pp.
I love myself when I am dancing and carrying on
Print and online newspapers as material artefacts
Escuchar el ruido. Músicas y sonidos de la crisis del 2001 en Buenos Aires
The Incidence of Aural Incursions in Elizabeth Bowen’s The Last September and Iris Murdoch’s The Red and the Green
Thinking With, Through and For Nature – Michel Serres, Branches (2020). London
Aesthetic Theory and the Philosophy of Nature
Serres’s Philosophy of Media
A Heraclitan Fold between Heidegger and Deleuze
O ruído como timbre da materialidade
Theory of the Next Society
Ecologising moral education in the anthropocene
Creativity in a Minor Key
On Jungian Philosophical Psychology
Polluting appropriations
It's (for) you; or, the tele-t/r/opical post-human
Documents' memories
Seawater
Prolegomena to Open Pasts
The town assembled
Acts of digital parasitism
These Boots Are Made for Walking
Four Archaeological Engagements With Place Mediating Bodily Experience Through Peripatetic Video
Against the tidal forces of the day”
Choice, capacity, the possible, and the nightly news
Resisting extractivism as a feminist critical socio‐spatial practice
The weight of the world
Underground climate
The Pedagogue of the Auratic Medium-Extending the Argument
Human geography and archaeology
Dialectics and difference
Natural writing
Objectivity and its discontents
Thinking With And
Learning/Becoming/Organizing
The Machinations of Change
The psychological architecture of the stable couple relationship
Boundary-making practices
Animal geographies I
“Le modèle bizarre qu’il devenait pour eux”
Feeling Safe in a Panbiotic World
Under the Sign of Hermes
Posthuman Sexuality
When War Percolates
Speculation
Michel Serres, Wisdom, Anthropology
Angel Hair Anthropology with Michel Serres
Serres, the Sea, the Human, and Anthropology
Keeping to Oneself
Chapter 3 Postscript
The Anthropology of the Future
Conceptualizing the History of the Present Time
Actor-Networks in Music History
On the researcher as parasite
Transparency in search of a theory
The rise of soft capitalism
The experience of learning in space and time
Substitution
Michel Serres and the Philosophy of Technology
Serres and Foundations
Multispecies Interaction in Dog-Assisted Therapy Sessions
The Place of Complexity
The Oceanic Feeling
Michel Serres
Entropy and Entropic Differences in the Work of Michel Serres
Material culture after text
Actual Image | Virtual Cut
A Post-Praxeological Approach to Multispecies Assemblages. The Case of Human-Plant Interactions at a Farm
Viable Futures
Bodies in place
Anticipation, abolition, possibility
The Mediating Role of Objects in Recollections of Adult Women Survivors of Child Sexual Abuse
Fossilized Futures
Turbulent Times
Things Are Us! A Commentary on Human/Things Relations under the Banner of a ‘Social’ Archaeology
Michel Serres
Michel Serres
Hundun’s Hospitality
The Tyre-Child in the Early World
Something ‘Paralogical’ Under the Sun
Serres’ science
Waters in Anthropocenes
The audacity of hope
Entre muertos y especímenes
Embodied Subjectivities
Organizing the sensory
The affective work of sound
Ethnographies of Austerity
Cosmopolitanism, education and the politics of chaos
Turn to Plastic
Asia
The rest is noise
Absence, multiplicity and the boundaries of research? Reflections on online asynchronous focus groups
Notes toward a speculative methodology of everyday life
Fotos quemadas. Cosas perdidas, ausencias y gestos especulativos en Boyacá
Borders, Detention, and the Disruptive Power of the Noisy-Subject
Vagueness and Archaeological Interpretation
Scattered limbs, scattered stories
Through the Protocol
Towards a vocabulary of limitations
| Citations per year | 4.63 |
|---|---|
| Citation span | 1996 - 2026 (31) |
| Highly cited | Yes |