Photography and the “natives
Examining the hidden curriculum of photographs in introductory anthropology texts
Bibliographic Data
| ID | 7093590 |
|---|---|
| Authors | Joyce D Hammond (Western Washington University, corresponding author) |
| Year | 1998 |
| Volume | 13 |
| Issue | 2 |
| Pages | 57-73 |
| Publication date | 1998-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Visual Sociology (JOURNAL) |
| Journal identifiers | ISSN: 1067-1684 • E-ISSN: 2331-3811 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/14725869808583794 |
| OpenAlex | W1974899139 |
| Language | EN |
| Citations received | 5 |
| References cited | 28 |
Although most introductory anthropology textbooks are filled with photographic images, a reflexive discussion of the purpose of placing photographs within the books is lacking. Since texts' images are a powerful and pervasive means of communication, anthropologists and students alike need to critically examine messages that the photographs and their captions may convey. In this article, I examine two genres of textbook photographs that can elucidate the use of photographs in general within introductory anthropology texts. Both sets of images depict processes and uses of photography that are of interest to anthropologists. One set shows "natives" looking at Polaroid photographs of themselves; the other set depicts "natives" using photographic equipment for their own purposes. While both image genres can be deconstructed for specific details about image‐making and anthropological subjects, they also constitute part of a "hidden curriculum" of placing photographs in introductory texts. Beneath the ostensibly descriptive purposes of depicting two ways indigenous people interact with the Western technology of photography, the photographs are used iconographically to convey a bias toward visual observation as the superior method for acquiring knowledge and understanding. The Western principle that equates understanding with visual observation is one that remains largely unexamined and unconsciously held by both the creators and readers of introductory anthropology texts
Art · Curriculum · Ethnography · Indigenous · Pedagogy · Photography · Reflexivity · Set (abstract data type · Sociology · Visual anthropology · Visual arts · Anthropological Studies and Insights · Anthropology · Computer Science · Geographies of human-animal interactions · Memory, Trauma, and Commemoration
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Rethinking visual anthropology
Discipline and Punish
Observers observed
The Vulnerable Observer
A Crack in the Mirror
Oh, What a Blow that Phantom Gave Me
The Social Dynamics of Video Media in an Indigenous Society
The Origins of Knowledge and Imagination
Navajo and Photography
Re‐claiming a cultural identity
Works and lives
Discipline and Punish
How I See the Yoruba See Themselves
Textbooks for Introductory Anthropology
Mirror for Man
The Anthropological Lens
Seeing Anthropology
Visual Images of American Society
The self in the other
Photo hierarchicus
Visualizing themselves
| Unique citing works | 5 |
|---|---|
| Citations per year | 0,23 |
| Citation span | 2004 - 2017 (14) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 5 |