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The Ghosts of Normativity

Temporality and Recurrence in Adorno's Ethics of Dissonance

Bibliographic Data

ID7094545
AuthorsAsaf Angermann (0000-0001-8752-4058, Yale University, corresponding author)
Year2015
Volume90
Issue4
Pages260-272
Publication date2015-10-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Germanic Review Literature Culture Theory (JOURNAL)
Journal identifiersISSN: 0016-8890 • E-ISSN: 1930-6962
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/00168890.2015.1096165
OpenAlexW2204678582
LanguageEN
Citations received2

What are the “normative foundations” of Critical Theory? Can Critical Theory be understood in the context of normative ethics? In particular, what is at stake in a normative reformulation of Adorno and Horkheimer's arguments, given that they insistently refused to provide any such “normative foundations”? This article addresses these questions of Critical Theory's alleged “normative turn” by offering a closer look at, on the one hand, Adorno's views on moral philosophy, and, on the other hand, his aesthetics of dissonance. The article argues that in his reflections on moral philosophy Adorno warns against the social and political dangers of positively formulated “normative foundations”; in his writings on questions of art and aesthetics, in particular his writings on music, Adorno explicitly articulates his understanding of theory and practice that counteracts the hazards of what he calls “repressive normativity.” Adorno's concept of dissonance, a centerpiece of his aesthetic theory, is explicated in this article in relation to its ethical context—as both a critique of normativity and as an alternative, negative normativity. If the problem that a search for “normative foundations” entails is the argument that norms and conventions claim validity and authority even after the social and historical situation in which they evolved changes, and therefore repressively impose themselves upon the subjects, then Adorno's ethics of dissonance counteracts them precisely in this temporal recurring aspect: it exposes their ghostlike character and allows for an emancipatory and anti-repressive polyphony. Understood this way, this article is also an attempt to liberate Critical Theory's original ideas from the ethical, normative, and foundationalist ghosts that haunt them

Argument (complex analysis · Cognitive dissonance · Context (archaeology · Critical theory · Epistemology · Normative · Normative ethics · Political philosophy · Political science · Politics · Sociology · Critical Theory and Philosophy · Hannah Arendt's Political Philosophy · Law · Philosophy · Psychology · Social Psychology

  • Dissonance

    Open Access•Maira Hayat•Cultural Anthropology•2024

  • Adorno on objects

    Pratap Itta, Sudarsan Padmanabhan•Distinktion Journal of Social…•2024

Unique citing works2
Citations per year1
Citation span2024 - 2024 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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