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Avatars, Monsters, and Machines

A Cyborg Archaeology

Bibliographic Data

ID7175017
AuthorsC Morgan (0000-0001-6907-5535, University of York, corresponding author)
Year2019
Volume22
Issue3
Pages324-337
Publication date2019-05-09
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEuropean Journal of Archaeology (JOURNAL)
Journal identifiersISSN: 1461-9571 • E-ISSN: 1741-2722
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/eaa.2019.22
OpenAlexW2944009959
LanguageEN
Citations received23
References cited56

As digital practice in archaeology becomes pervasive and increasingly invisible, I argue that there is a deep creative potential in practising a cyborg archaeology. A cyborg archaeology draws from feminist posthumanism to transgress bounded constructions of past people as well as our current selves. By using embodied technologies to disturb archaeological interpretations, we can push the use of digital media in archaeology beyond traditional, skeuomorphic reproductions of previous methods to highlight ruptures in thought and practice. I develop this argument through investigating the avatars, machines, and monsters in current digital archaeological research. These concepts are productively liminal: avatars, machines, and monsters blur boundaries between humans and non-humans, the past and the present, and suggest productive approaches to future research

Aesthetics · Archaeology · Argument (complex analysis · Art · Embodied cognition · Epistemology · Liminality · Posthumanism · Sociology · Visual arts · Anthropological Studies and Insights · Anthropology · Body Image and Dysmorphia Studies · Geographies of human-animal interactions · History · Philosophy

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Unique citing works23
Citations per year3,83
Citation span2020 - 2026 (7)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 23

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