Mao Zedong’s “Talks at the Yan’an Conference on Literature and Art
A Translation of the 1943 Text with Commentary
Bibliographic Data
| ID | 7424792 |
|---|---|
| Authors | Bonnie S Mcdougall (corresponding author), Bonnie McDougall, Mao Zedong |
| Year | 1980 |
| Pages | 112 |
| Publication date | 1980-01-01 |
| Open Access | Yes |
| Type | BOOK |
| Venue | Mao Zedong's "Talks at the Yan'an conference on literature and art" (SOURCE_BOOK) |
| Publisher | U OF M CENTER FOR CHINESE STUDIES (PUBLISHER) |
| DOI | 10.3998/mpub.19066 |
| OpenAlex | W4301010027 |
| Open Library | OL37483498M |
| ISBN | 9780892640393 |
| Language | EN |
| Citations received | 38 |
| References cited | 10 |
The writings of Mao Zedong have been circulated throughout the world more widely, perhaps, than those of any other single person this century. The "Talks at the Yan'an Conference on Literature and Art" has occupied a prominent position among his many works and has been the subject of intense scrutiny both within and outside China. This text has undoubted importance to modern Chinese literature and history. In particular, it reveals Mao's views on such questions as the relationship between writers or works of literature and their audience, or the nature and value of different kinds of literary products. In this translation and commentary, Bonnie S. McDougall finds that Mao was in fact ahead of many of his critics in the West and his Chinese contemporaries in his discussion of literary issues. Unlike the majority of modern Chinese writers deeply influenced by Western theories of literature and society (including Marxism), Mao remained close to traditional patterns of thought and avoided the often mechanical or narrowly literal interpretations that were the hallmark of Western schools current in China in the early twentieth century. Many of the detailed discussions on the "Talks" in the West have been concerned with their political and historical significance. However, since Mao is a literary figure of some importance in twentieth-century China, McDougall finds it worthwhile to follow up his published remarks on the nature and source of literature and the means of its evaluation. By better understanding the complex and revolutionary ideas contained in the "Talks," McDougall suggests we may acquire the necessary analytical tools for a more fruitful investigation into contemporary Chinese literature
Aesthetics · Art · China · Chinese literature · Literature · Political science · Politics · Scrutiny · Subject (documents) · Value (mathematics · Chinese history and philosophy · History · Japanese History and Culture · Law · Art, chinese · Arts · Mao Zedong (1893-1976) · zedong Mao (1893-1976)
The succession to Mao and the end of Maoism
The Chinese state in crisis
China confronts the Soviet Union
Literature under communism
In Memory of Meishu Film
Sites and sounds of national memory
Politics of vision
Visualizing History
Enhancing translation reception through paratexts
Ways of Reading
Romantic, Rebel, and Reactionary
The Origins of the Cultural Revolution
Unending Capitalism
The Cambridge History of China
“Tiny Little Screw Cap” (“Xiao Xiao Luosimao”)
The aesthetics of alienation, or China's ‘fifth generation’
Figuring Modernity
Translating Chinese Traditional Culture into institutional Sport
Jacques Rancière’s Left-wing Literary Theory and Mao Zedong’s Thought on Literature and Art
Privacy in Modern China
The ‘Processes’ of Learning
Under the Red-and-White Flag
Intellectual consciousness and the negation of the intellectual class
Camouflaged Histories
The new year's sacrifice
Implementation of Mao Zedong’s Yan’an “Talks” in the Subei Base Area – The Chen Dengke 陈登科 “Phenomenon”
Notes toward a nomad subjectivity
Trading devil Fish and Monkey kings
Re-translating Mahler’s Das Lied von der Erde
Wang Luobin
"Prelude to the "Yan'an Talks
The Aesthetic Needs of the Masses
Mao Zedong’s “Talks at the Yan’an Conference on Literature and Art
Migrant workers and the imaging of human infrastructure in Chinese contemporary art
Siren songs
Tears That Crumbled the Great Wall
The crisis of Bandung's new human
Cultural redefinition in Yan'an China
Marxism and literature
Talks at the Yan’an Conference on Literature and Art 1942
Voices from Afar
“Proletarian Hegemony” in the Chinese Revolution and the Canton Commune of 1927
Educated Youth and the Cultural Revolution in China
Literary Doctrine in China and Soviet influence
The Foreign Establishment in China in the Early Twentieth Century
Marxism and Art
Mao Zedong’s “Talks at the Yan’an Conference on Literature and Art
| Unique citing works | 38 |
|---|---|
| Citations per year | 0,83 |
| Citation span | 1980 - 2025 (46) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 38 |