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Factors affecting the musical choices of audiences in East Suffolk, England

Bibliographic Data

ID7429954
AuthorsCarole Pegg (corresponding author)
Year1984
Volume4
Pages51-73
Publication date1984-01-01
Open AccessYes
TypeARTICLE
VenuePopular Music (JOURNAL)
Journal identifiersISSN: 0261-1430 • E-ISSN: 1474-0095
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0261143000006164
OpenAlexW2166260808
LanguageEN
Citations received1
References cited9

In discussing humanly organised sound in How Musical is Man? , John Blacking points out that musical ability is not only the prerogative of those who make music. Without the capacity of an audience for structured listening, he says, there would be no music and no musical communication (Blacking 1973, p. 9). The construction of a sound-ideal, that is the acceptance or rejection of patterns of sound as music or non-music, is part of the musical process. When Merriam constructed his model for ethnomusicological research in The Anthropology of Music , he recognised that those listening to the sounds produced by musicians played an active role (Merriam 1964, pp. 32ff). He also realised the importance of what he called ‘conceptualisation about music’ to the process. Figure 1 illustrates simply the three analytical stages of his model and the feedback system involving the acceptance or rejection of sound. The weakness of the model lies in the assumption that those listening will react uniformly to the sounds produced. As I shall show, such a consensus on the classifications of sound is not to be found in large differentiated societies

Acoustics · Active listening · Aesthetics · Art · Epistemology · Ethnomusicology · Linguistics · Music history · Musical · Political science · Prerogative · Sociology · Visual arts · Communication · Diverse Musicological Studies · History · Law · Music History and Culture · Musicology and Musical Analysis · Philosophy · Psychology

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  • The sociology of rock

    Simon Frith•The sociology of rock•1978

  • How musical is man?

    John Blacking•How musical is man?•1974

  • Sound effects

    Simon Frith•Sound effects•1981

  • Subculture

    Dick Hebdige•Subculture•1991

  • A History of the English Agricultural Labourer

    George Unwin, Wilhelm Hasbach et al.•The Economic Journal•1909

  • Village on the Border

    H S Morris, Ronald Frankenberg•British Journal of Sociology•1958

  • Family and Community in Ireland

    Conrad M Arensberg, Solon Toothaker Kimball•Family and Community in Ireland•1968

  • Sound Effects

    Charles Keil, Simon Frith•Ethnomusicology•1983

Citations per year0.05
Citation span2006 - 2006 (1)
Highly citedNo

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