Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Native American Women as Palimpsestic Apparitions in Alejandro Gonzales Iñárritu’s The Revenant

Bibliographic Data

ID7459799
AuthorsM Elise Marubbio (corresponding author)
Year2022
Volume17
Issue2
Publication date2022-07-04
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEuropean Journal of American Studies (JOURNAL)
Journal identifiersISSN: 1991-9336 • E-ISSN: 1991-9336
PublisherEuropean Association for American Studies (PUBLISHER • FR)
DOI10.4000/ejas.18235
OpenAlexW4284713821
LanguageEN
References cited4

Alejandro Gonzales Iñárritu’s mythic retelling of the Hugh Glass story revises and critiques the grand narratives of American exceptionalism born of the frontier. It highlights the violence bred of racism that weaves throughout the history of westward expansion, undercuts the genre’s tendency toward white privilege through multi-lingual narratives, and centers a counter-narrative focused on Indigenous families and women. Building from and reflecting on my earlier work in Killing the Indian Maiden: Images of Native American Women in Film, this essay reads the film’s representation of Native/First Nations women as palimpsestic apparitions of the Celluloid Indian Maiden trope that are both progressive and problematic in their ability to counter white hegemonic narratives of power and ongoing racism. This reading engages the dialogical tension between Iñárritu’s representation of his two primary Indigenous women—the “ghost” of Glass’ wife and Powaqa—allowing us to explore the hegemonic power of cinematic tropes in residual form. Ultimately, as Indigenous responses are brought to bear witness, we are asked to consider our ongoing attachment to particular tropes and depictions of Indigenous women even as we attempt to critique them

Art · Hegemony · Indigenous · Literature · Narrative · Political science · Politics · Power (physics · Racism · Representation (politics · Sociology · Trope (literature · White (mutation · Comparative Literary Analysis and Criticism · Latin American Literature Studies · Spanish Literature and Culture Studies · Gender Studies · History · Law

  • Indians, American Indian Studies, and the Depiction of Indigenous Peoples in American Commercial Cinema

    Steve Pavlik, M Elise Marubbio et al.•Native Apparitions•2017

  • Killing the Indian Maiden

    M Elise Marubbio•Killing the Indian Maiden•2006

  • The Cross-Heart People”

    Joanna Hearne•Journal of Popular Film and…•2003

  • Peoplehood

    Tom Holm, Josiah Pearson et al.•Wicazo Sa Review•2003

Citation velocityhistorical
Highly citedNo

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae