Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Dating Crow Rock Art through Multivariate Statistical Comparison with Biographic Artworks

Bibliographic Data

ID7604744
AuthorsStephen J Lycett (University at Buffalo, State University of New York, corresponding author), James D Keyser (Oregon Historical Society)
Year2019
Volume84
Issue4
Pages632-650
Publication date2019-10-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAmerican Antiquity (JOURNAL)
Journal identifiersISSN: 0002-7316 • E-ISSN: 2325-5064
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/aaq.2019.48
OpenAlexW2965894222
LanguageEN
Citations received4
References cited29

Historic period Plains biographic art provides narratives of the deeds and actions of Indigenous peoples of the region. The Crow ( Apsáalooke ) are one such people with a rich record of biographic drawings in rock art and portable works. However, chronological and stylistic links between these two media have long been thought out of reach, even though such links are essential if the abundant Historic period rock art is to be fully incorporated into discussions of Apsáalooke history and their connection better ascertained to documented historical and ethnohistorical events and trends. Indeed, the lack of such a framework locks away a vast wealth of history in these hundreds of rock art pictures. In this article we present a statistical framework for comparing better-dated Crow portable artworks with their rock art equivalents. We are able to place rock art imagery from five sites into a relatively fine-grained chronological order, which permits a better understanding of changing patterns in Crow stylistic imagery. This permits a direct association with changing historical circumstances and facilitates a better understanding of the link between social history and the changing patterns seen in these artworks. Moreover, in one case, our analysis provides archaeological confirmation of Crow ethnohistory

Aesthetics · Archaeology · Art · Ethnohistory · Genealogy · Indigenous · Literature · Narrative · Period (music) · Rock art · Visual arts · Archaeology and ancient environmental studies · Archaeology and Rock Art Studies · History · Image Processing and 3D Reconstruction

  • The War of Images in Colonial New Mexico

    Severin Fowles•Journal of Anthropological Research•2026

  • Stylistic Change and Emic Cultural Continuity in Archaic-Period Anthropomorphs at No Bear, Montana

    James D Keyser, Stephen J Lycett•Journal of Field Archaeology•2021

  • Changing patterns of stylistic diversity in Blackfoot biographic art across the nineteenth century

    Stephen J Lycett, James D Keyser•Plains Anthropologist•2021

  • White Swan

    Stephen J Lycett, James D Keyser•Ethnohistory•2021

  • Quantifying archaeology

    Stephen Shennan•Quantifying archaeology•1988

  • The Doppler Effect and Archaeology

    James Deetz, Edwin Dethlefsen•Americanist Culture History•1997

  • Cultural transmission, language, and basketry traditions amongst the California Indians

    Open Access•Peter D Jordan, Peter Jordan et al.•Journal of Anthropological…•2003

  • Facing new flows

    Max Carocci•World Art•2017

  • Desenredando patrones en el arte rupestre de Oukaïmeden

    Open Access•Jorge De Torres Rodríguez, Jorge De Torres et al.•Complutum•2015

  • Beyond Oral History

    Open Access•Stephen J Lycett, James D Keyser•International Journal of…•2017

  • Plains Indian Rock Art

    James D Keyser, Michael A Klassen•Plains Indian Rock Art•2016

  • Seriation, stratigraphy, and index fossils

    Open Access•Darcy F Morey•Geoarchaeology•2000

  • A Multivariate and Phylogenetic Analysis of Blackfoot Biographic Art

    Stephen J Lycett•Plains Anthropologist•2017

  • Painted Bison Robes

    James D Keyser•Plains Anthropologist•1996

  • Women in War

    James D Keyser, L Sundstrom et al.•Plains Anthropologist•2006

  • A Lexicon for Historic Plains Indian Rock Art

    James D Keyser•Plains Anthropologist•1987

  • Dating the Deadmond Bison Robe

    Janis Bouma, Janis L Bouma et al.•Plains Anthropologist•2004

  • Assessing the chronology of post-contact rock art on the northern Plains via multivariate statistical comparison with Blackfoot biographic art

    Open Access•Stephen J Lycett, James D Keyser•Journal of Anthropological…•2017

  • Time's Arrow

    Open Access•Stephen J Lycett, James D Keyser•American Anthropologist•2019

  • Beyond Shamanism

    Open Access•Paola Demattè•Cambridge Archaeological Journal•2004

  • Visions of the People

    Alfred Young Man, Evan M Maurer•The American Indian Quarterly•1994

  • Cheval Bonnet

    James D Keyser•Ethnohistory•2018

  • Evidence for the Origins of the Pueblo Katchina Cult as Suggested by Southwestern Rock Art

    Open Access•P Schaafsma, Curtis F Schaafsma•American Antiquity•1974

  • The Statistical Use of Artifact Distributions to Establish Chronological Sequence

    Open Access•Paul Dempsey, Paul Stephen Dempsey et al.•American Antiquity•1963

  • Seriation Method and Its Evaluation

    Open Access•Robert C Dunnell•American Antiquity•1970

  • The Doppler Effect and Archaeology

    James Deetz, Edwin Dethlefsen•Southwestern Journal of…•1965

  • Archaeological Dating and Cultural Process

    John Howland Rowe•Southwestern Journal of…•1959

Unique citing works4
Citations per year0,8
Citation span2021 - 2026 (6)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 4

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae