Microanalytical identification of Pb-Sb-Sn yellow pigment in historical European paintings and its differentiation from lead tin and Naples yellows
Bibliographic Data
| ID | 7843141 |
|---|---|
| Authors | David Hradil (0009-0000-7527-3984, Czech Academy of Sciences, Institute of Inorganic Chemistry, corresponding author), Tomáš Grygar, Tomáš Matys Grygar (0000-0003-0931-0390, Academy of Fine Arts Prague), Janka Hradilová (0009-0006-8922-0828, Academy of Fine Arts Prague), Petr Bezdička (0000-0002-0928-3591, Czech Academy of Sciences, Institute of Inorganic Chemistry), Veronika Grűnwaldová (Academy of Fine Arts Prague), Igor Fogaš (Moravian Museum), Costanza Miliani (0000-0001-6091-9922, University of Perugia) |
| Year | 2007 |
| Volume | 8 |
| Issue | 4 |
| Pages | 377-386 |
| Publication date | 2007-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Cultural Heritage (JOURNAL) |
| Journal identifiers | ISSN: 1296-2074 • E-ISSN: 1778-3674 |
| Publisher | Elsevier BV (PUBLISHER) |
| DOI | 10.1016/j.culher.2007.07.001 |
| OpenAlex | W2099560964 |
| Language | EN |
| Citations received | 18 |
| References cited | 15 |
Antimony · Art · Art history · Metallurgy · Microanalysis · Painting · Tin · Building materials and conservation · Chemistry · Conservation Techniques and Studies · Cultural Heritage Materials Analysis · Materials Science
Pigments—Lead-based whites, reds, yellows and oranges and their alteration phases
Naples Yellow Revisited
Non-Invasive Study of the Pigments of a Painting on Copper with the Inscription “Boceto di Pablo Veronese” on the Back
Saint Agnes of Bohemia
Potters and pigments
A polychrome Mukozuke (1624–1644) porcelain offers a new hypothesis on the introduction of European enameling technology in Japan
High-resolution non-invasive X-ray diffraction analysis of artists’ paints
Uncovering a lost narrative
On the Red and Yellow Pigments of Post‐Byzantine Greek Icons
Antimonate Opaque Glaze Colours From the Faience Manufacture of Le Bois D’épense (19th Century, Northeastern France)
Colouring Agents in the Pottery Glazes of Western A natolia
Early Renaissance Production Recipes for Naples Yellow Pigment
Degradation of lead-based pigments by salt solutions
The chemistry of making color in art
X-ray fluorescence investigation on yellow pigments based on lead, tin and antimony through the comparison between laboratory and portable instruments
The glass assemblage from San Pietro in Castello
Glass-based pigments in painting
A multi-technique approach to unveil the composition and fabrication of a pre-Roman glass masterpiece
Clay and iron oxide pigments in the history of painting
Raman laser fibre optic strategy for non-destructive pigment analysis. Identification of a new yellow pigment (Pb, Sn, Sb) from the Italian XVII century painting
The use and origin of antimonate colorants in early Egyptian glass
The use and origin of antimonate colorants in early Egyptian glass
Early Production Recipes for Lead Antimonate Yellow in Italian Art
The combined use of lead-tin yellow type I and II on a canvas painting by Pietro Perugino
Il Libro dell'Arte
| Unique citing works | 18 |
|---|---|
| Citations per year | 1,06 |
| Citation span | 2009 - 2025 (17) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 18 |