VoD platforms and prominence
A European regulatory approach
Bibliographic Data
| ID | 7918757 |
|---|---|
| Authors | María Trinidad García Leiva (0000-0001-8572-0565, Universidad Carlos III de Madrid, corresponding author) |
| Year | 2021 |
| Volume | 180 |
| Issue | 1 |
| Pages | 101-115 |
| Publication date | 2021-08-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Media International Australia (JOURNAL) |
| Journal identifiers | ISSN: 1329-878X • E-ISSN: 2200-467X |
| Publisher | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1177/1329878x20967456 |
| OpenAlex | W3094847007 |
| Language | EN |
| Citations received | 11 |
| References cited | 6 |
In a scenario of abundance of digital contents, audiovisual works need to be easily discovered to be consumed. Prominence, therefore, becomes essential. In Europe, the idea of giving prominence became key to address how works can be promoted after the adoption of the Audiovisual Media Services Directive in 2007. In light of the amendment of this norm, this article provides an overview of the regulation regarding prominence of Video on Demand (VoD) services at the European Union (EU) level. The aim is to analyse its transposition into national provisions to identify different approaches and characterize them according to their implications for the general interest. It is concluded that to guarantee and justify that certain contents are easy to discover by citizens in an overwhelming digital world, the formulation of principles-based rules can be an appropriate solution
Advertising · Business · Computer security · Directive · European union · European Union law · International trade · Political science · Computer Science · Copyright and Intellectual Property · Law · Law in Society and Culture · Privacy, Security, and Data Protection
Markets as free speech providers and political resignation
The impact of new European policies on the regulation of Spanish public service media
Performance Indicators for Public Service VoD
Integrating discoverability and prominence in video-on-demand consumption choices. A qualitative user study in Belgium
The (neoliberal) feminism of global SVOD platforms, Netflix’s inclusion policy, and the negotiations of women audiovisual creators
Servicios estadounidenses de SVOD en España
Gender equality and diversity discourses intertwined with the implementation of the EU audiovisual media services directive in Lithuania, Spain, and Sweden
‘If you can’t beat them…’
Cultural policy between television and digital platforms
Audiovisual prominence and discoverability in Europe
Broadcaster video-on-demand in Australia
| Unique citing works | 11 |
|---|---|
| Citations per year | 2,75 |
| Citation span | 2022 - 2025 (4) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 9 |