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Covert Progression in Comics

Bibliographic Data

ID7960249
AuthorsDaniel Candel (Universidad de Alcalá), Daniel Candel Bormann (0000-0003-4320-4639, Universidad de Alcalá, corresponding author)
Year2020
Volume41
Issue4
Pages705-729
Publication date2020-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenuePoetics Today (JOURNAL)
Journal identifiersISSN: 0333-5372 • E-ISSN: 1527-5507
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/03335372-8720141
OpenAlexW3141688290
LanguageEN
References cited31

Readings of covert progression have expanded the study of rhetorical criticism but usually limit themselves to analyzing short stories. By analyzing Frank Miller’s 300, this article extends covert progression to comics, a medium in which language and images crucially interact. In addition, reading 300 for its covert progression also contributes to reassessing a work surrounded by controversies over its quality and ideological bias. The article first discusses the critical background of 300, assesses style—a basic element of covert progression—in comics, and introduces a tool of cultural-semantic analysis necessary to understand 300. The article then reads the overt plot and analyzes the narrator’s voice to assess distances between implied reader/author, narrator, and characters, which previous criticism has established. Next, the article analyzes the covert progression of the story by following the overt plot along the sequence curiosity ! suspense ! surprise and reinterpreting that sequence, analyzing images and combinations of images and language, with an emphasis on stylistic traits. The article closes by discussing the significance of covert progression for 300 and of extending covert progression to the reading of comics

Aesthetics · Art · Close reading · Comics · Covert · Critical reading · Criticism · Ideology · Linguistics · Literature · Political science · Politics · Surprise · Comics and Graphic Narratives · Digital Games and Media · Law · Narrative Theory and Analysis · Philosophy · Psychology · Social Psychology

  • Narration in the Fiction Film

    David Bordwell•Narration in the Fiction Film•2015

  • Visual Persuasion

    Paul Messaris•Visual Persuasion•1997

  • Covert Progression Behind Plot Development

    Dan Shen•Poetics Today•2013

  • After virtue

    Alasdair C Macintyre•After virtue•2007

  • The Interaction of Semiotic Constraints

    A J Greimas, François Rastier•Yale French Studies•1968

  • Telling in Time (II)

    Meir Sternberg•Poetics Today•1992

  • Telling in Time (I)

    Meir Sternberg•Poetics Today•1990

  • Moving Possible World Theory from Logic to Value

    Daniel Candel Bormann•Poetics Today•2013

Citation velocityhistorical
Highly citedNo

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Open DOIOpen Access
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