Creaturely Poetics
Animality and Vulnerability in Literature and Film
Bibliographic Data
| ID | 8064058 |
|---|---|
| Authors | Anat Pick (0000-0003-0694-1429, corresponding author) |
| Year | 2011 |
| Pages | 249 |
| Publication date | 2011-03-25 |
| Open Access | No |
| Type | BOOK |
| Reviewed by | Creaturely Poetics: Animality and Vulnerability in Literature and Film, Scott Cowdell, 2012 |
| Venue | Creaturely poetics (SOURCE_BOOK) |
| Publisher | Columbia University Press (PUBLISHER • US) |
| OpenAlex | W1194852040 |
| Open Library | OL25030320M |
| ISBN | 9780231147866 |
| Language | EN |
| Citations received | 57 |
Exploring the "logic of flesh" and the use of the body to mark species identity, Anat Pick reimagines a poetics that begins with the vulnerability of bodies, not the omnipotence of thought
Aesthetics · Art · Art history · Environmental ethics · Humanity · Literature · Poetics · Poetry · Theology · Geographies of human-animal interactions · Narrative Theory and Analysis · Animals in literature · Animals in motion pictures · Bellettrie · Filmkunst · Human-animal relationships in literature · Human-animal relationships in motion pictures · Mens-dier-relatie · Philosophical anthropology · Philosophy
Brutal Visions
“Making the unimaginable imaginable?” The power of artmaking in understanding animal vulnerabilities and “humanimal” relationality in Organization Studies
Quality of Life and the Statistical Outlier
The Celluloid Specimen
Screening Nature
Canine embodiment in South African lyric poetry
We are all souls”
Localism, Locavorism, and Animal Rights in Olga Tokarczuk’s Novel Drive Your Plow Over the Bones of the Dead
Empathy with Nature and an Autistic Spirituality
Earth After Death
The Animal in Pope’s Essay on Man
“Through a Glass Brightly
Hélène Cixous’s Creaturely Poethics
‘Filming one hand with the other’
Framing the Non-human
“It’s not really a cat”
Counter creaturely communities in Emily Nasrallah’s Yawmīyyāt Hirr and Hoda Barakat’s Barīd al-Layl
Cave To Cosmos
Two Cats, One Fish
Black Cinematic Poethics
Facing the End of the World
The Necessity of an Anthropomorphic Approach to Children’s Literature
The Hero of This Novel Is a Tree
The Animality of Simone Weil
The Representation of Jonathan Swift’s Human and Non-human Animals in Spain
Deconstructing the Animal in Search of the Real
Creative Compassion, Literature and Animal Welfare
The Post-humanist Gaze
Humanity, Animality, and Philosophy in Primo Levi
Bull’s-eye, Agency, and the Species Divide in Oliver Twist
Introduction
A Vegan Form of Life
“Forced Renegades”
Vernacular animalities
Films, gestures, species
A cinema of sentience
Analogical Animals
Running with Butkus
Herding Community
Attending the Giraffe
Animal Fragments
Critical animal and media studies
Stray aesthetic in the cinema of Andrea Arnold
The affordance of compassion for animals
Matters of Memory and Creaturely Concerns
Mapping the “naturecultural turn” in performance studies
Avian Provocation
The postcolonial child in Benh Zeitlin’s Beasts of the Southern Wild
Precariousness, kinship, and care
The Litterscape and the Nude
Brigid Brophy’s Pro-animal Forms
Nature and the Non-human in Andrea Arnold's Wuthering Heights
The Animal Face of Early Modern England
Reclaiming Romanticism
Curious Kin in Fictions of Posthuman Care
Durkheim and the Homo Duplex
We Are the World? Anthropocene Cultural Production between Geopoetics and Geopolitics
| Unique citing works | 57 |
|---|---|
| Citations per year | 4,07 |
| Citation span | 2012 - 2025 (14) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 55 |