Sustainability of indigenous folk tales, music and cultural heritage through innovation

Bibliographic Data

ID8069650
AuthorsClare Suet Ching Chan (0000-0002-7052-5414, corresponding author)
Year2018
Volume8
Issue3
Pages342-361
Publication date2018-04-10
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Cultural Heritage Management and Sustainable Development (JOURNAL)
Journal identifiersISSN: 2044-1266 • E-ISSN: 2044-1274
PublisherEmerald Publishing Limited (PUBLISHER • GB)
DOI10.1108/jchmsd-06-2017-0044
OpenAlexW2797356624
LanguageEN
Citations received9
References cited8

Purpose The aim of producing Bah Luj Production, four folk tales books accompanied by a compact disc of its narration, dialogs and music is to revitalize the folk tales, music and cultural heritage of the indigenous Semai by condensing them into an innovative resource package, tailored to appeal to the current generation’s consumer interests and lifestyles. The targeted audiences for the product are Malaysians, in particular the Semai community, as well as other local and international consumers. The purpose of this paper is to examine a practice-led approach toward considering the empowerment of selected culture bearers assisted by the intervention of researchers from the academia in facilitating the sustainability of indigenous cultural traditions in Malaysia. Design/methodology/approach This approach is practice-led – Bah Luj Production was developed based on action, reflection, review and revision. This paper provides visibility to the research process, enabling readers to understand the issues, challenges and decision-making processes. The practice-led approach that was used for this project provides a realistic practical guide, bridging the gap between theory and practice. In the conclusion, the authors also bring forth ideas for improvement through reflection, on suggested approaches in ways this research did not manage to pursue. Findings This paper proposes three approaches in advocating for cultural sustainability through innovation: collaboration between selected culture bearers and researchers in the academia; indigeneity of cultural expressions and illustrations; and adaptability and relevance to current interests of indigenous people and consumers of indigenous music and literature. This paper argues that it is important for the researcher to navigate research with relevance to the context and situation. Research limitations/implications While many articles focus on presenting the outcomes of a research project, this paper guides the reader toward understanding the limitations, constraints and negotiations made by the research team during the research and production stages. Transparency in the process of decision making will enlighten readers on realistic, practical approaches as opposed to idealistic theoretical methods. Practical implications This paper argues for sustainability through innovation and posits that cultural heritage practices that continue to be performed are those that are adaptable, flexible to change and open to innovation – therefore maintaining relevance to time, context and consumers. This paper posits that researchers should be flexible and practical in their research actions and avoid generalizations that come out of recent and popular critical theories as the most, or only suitable, approaches for diverse communities. Originality/value The development of an alternate approach, theory/concept and guidelines toward sustainability through innovation make this study the first of its kind. This approach integrates tradition with creation

Cultural heritage · Cultural Sustainability · Engineering ethics · Indigenous · Narrative · Political science · Public relations · Sociology · Sustainability · Traditional knowledge · Diverse Musicological Studies · Engineering · Environmental Engineering and Cultural Studies

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