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Music as dialogic space in the promotion of peace, empathy and social inclusion

Bibliographic Data

ID8073280
AuthorsKathryn Marsh (The University of Sydney)
Year2019
Volume12
Issue3
Pages301-316
Publication date2019-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueInternational Journal of Community Music (JOURNAL)
Journal identifiersISSN: 1752-6302 • E-ISSN: 1752-6299
PublisherIntellect (PUBLISHER • GB)
DOI10.1386/ijcm_00002_1
OpenAlexW2998370122
LanguageEN
Citations received13
References cited9

This article considers ways in which music can contribute to the development of social synchrony in situations of social uncertainty generated by global conflict and widespread population movements. Noting Lederach’s view that conflict resolution has an aesthetic and creative dimension, music can be seen to form a dialogic space in which shared meanings can be co-created and through which multiple and sometimes conflictual viewpoints can be expressed in order to facilitate peace-building. At the same time, the dialogic spaces entailed in musical interactions can promote empathy, whether these are initiated by individuals in naturally occurring social settings or on a larger scale by institutions committed to developing social inclusion or promoting conciliation. In exploring these issues, I draw on my current research involving newly arrived forced and voluntary migrant children and young people in Australia, in addition to research from the fields of music education, ethnomusicology, evolutionary musicology, psychology, refugee studies and peace studies

Aesthetics · Art · Dialogic · Empathy · Ethnomusicology · Inclusion (mineral · Musical · Pedagogy · Population · Social space · Sociology · Visual arts · Diverse Music Education Insights · Diverse Musicological Studies · Neuroscience and Music Perception · Psychology · Gender Studies · Social Psychology

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Unique citing works13
Citations per year1,86
Citation span2019 - 2026 (8)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 13

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