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The Cultural Study of Music

A Critical Introduction

Bibliographic Data

ID8073722
AuthorsMichelle Clayton (0000-0002-9670-5077, corresponding author), Richard Middleton, Trevor Herbert (0000-0002-0436-3314)
EditorsMartin Clayton
Year2013
Pages376
Publication date2013-01-11
Open AccessNo
TypeBOOK
VenueThe cultural study of music (SOURCE_BOOK)
PublisherRoutledge (PUBLISHER • GB)
DOI10.4324/9780203821015
OpenAlexW1553749284
Open LibraryOL33470590M
ISBN9780203821015
LanguageEN
Citations received53

The Cultural Study of Music is an anthology of new writings that serves as a basic textbook on music and culture. Increasingly, music is being studied as it relates to specific cultures--not only by ethnomusicologists, but by traditional musicologists as well. Drawing on writers from music, anthropology, sociology, and the related fields, the book both defines the field--i.e., "What is the relation between music and culture?"--and then presents case studies of particular issues in world musics

Diverse Musicological Studies · Anthropology · Cultural · Cultural Policy · Ethnomusicology · Music · Music, philosophy and aesthetics · Musicologie · Musicology · Musique · Philosophy and aesthetics · Political science · Popular Culture · Public policy · Social aspects · Social Science · History

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    Open Access•Gwen Larsen, Gretchen Larsen•Organization•2017

  • Lost and found in music

    Open Access•Eric F Clarke, Eric Clarke•Musicae Scientiae•2014

  • Rhythmic synchrony and mediated interaction

    Open Access•Satinder P Gill•AI & Society•2012

  • “Does not compute”? Music as real-time communicative interaction

    Open Access•Ian Cro, Ian Cross•AI & Society•2013

  • A review of manual and computational approaches for the study of world music corpora

    Maria Panteli, E Benetos et al.•Journal of New Music Research•2018

  • Different Resistances

    Duncan Clarke, David Clarke•Contemporary Music Review•2013

  • From Microsound to Vaporwave

    G Born, Christopher Haworth•Music and Letters•2017

  • Music and cognitive evolution

    Ian Cro, Ian Cross•Oxford handbook of evolutionary…•2012

  • Nor-tec Rifa!

    Alejandro L Madrid•Nor-tec Rifa!•2008

  • The Music Teacher

    Peng Xu•Harvard Journal of Asiatic Studies•2015

  • Innovation systems in motion

    Open Access•Elena Castro‐Martínez, Albert Recasens et al.•Management Decision•2013

  • What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival

    E Pitt, Stephanie E Pitt•Music and Letters•2005

  • Walking Backwards into the Future

    Open Access•Inge Van Rij•Music and Letters•2018

  • Stylistic pluralism and the experiences of classically trained teachers of singing in the Republic of Ireland

    Open Access•Hannah Fahey•International Journal of Music…•2021

  • How to Read a Rondeau

    Emily H Green•Journal of the American…•2020

  • Place references in Chinese music titles since 1912

    Open Access•Xueting Hong, Zhenfang Huang et al.•Humanities and Social Sciences…•2021

  • The Communicative Shape of Liveness

    Open Access•Noah Franken•Communication Studies•2024

  • Historical perspectives in music sociology

    Open Access•Tia Denora•Poetics•2004

  • Public Enemy, Or, Sensing Censorship

    Daniel Avorgbedor•Research in African Literatures•2009

  • When the Tribe Goes Triple Platinum

    David B Pruett•Ethnomusicology•2011

  • Articulación y traducción local en el campo rockero de Quito

    Open Access•Manuel Dammert Guardia, Manuel Dammert-Guardia•Debates en Sociología•2012

  • How Does Hanoi Rock? The Way to Rock and Roll in Vietnam

    Jason Gibbs•Asian Music•2008

  • Etnomusicología, en tono filosófico

    Open Access•Jordi Raventós I Freixa•Brocar Cuadernos de Investigación…•2013

  • Non-Western national music and empire in global history

    Open Access•Bob Van Der Linden•Journal of Global History•2015

  • Practices of music and sound

    Ben Anderson, Frances Morton et al.•Social & Cultural Geography•2005

  • A Thousand Dissonances

    Sally Macarthur•Australian Feminist Studies•2009

  • Romantic Empowerment at the Paris Opera in the 1770s and 1780s

    Michael Fend•Music and Letters•2013

  • Listening for Geographies

    Elizabeth Mcalister, McAlister McAlister•Black Music Research Journal•2012

  • Musical genre and gender as factors in higher education learning in music

    Grover Welch, Graham Welch et al.•Research Papers in Education•2008

  • Giving voice to the 'dignified man

    Open Access•Helena Simonett•Popular Music•2011

  • Temperance battle songs

    Open Access•Annemarie Mcallister•Popular Music•2016

  • Reflections on the challenges of exhibiting popular music at the beginning of the 21st century through a case study of 'A Magia do Vinil

    Open Access•Arturo Cortez, Alcina Cortez•Popular Music•2017

  • Dub is the new black

    Open Access•Mimi Haddon•Popular Music•2017

  • Popular music education in and for itself, and for 'other' music

    Open Access•Lucy Green•International Journal of Music…•2006

  • Cultural Brokers and the Making of Glocal Soundscapes, 1880s to 1930s

    Open Access•Martin Rempe, Claudius Torp•Itinerario•2017

  • Music and the Global Order

    Martin Stokes•Annual Review of Anthropology•2004

  • The Expansion of Punk Rock

    Julia Downes•Women s Studies•2012

  • Neutralizing Temporary Inequities in Moral Status

    Samuel Horlor•Asian Music•2019

  • Making Time

    G Born•New Literary History•2015

  • Integrating Music Into Intellectual History

    Open Access•John E Toews•Modern Intellectual History•2008

  • Is Music a Language

    Mark Abel•Historical Materialism•2018

  • The sounds of media. An interdisciplinary review of research on sound as communication

    Open Access•Klaus Bruhn Jensen•Comunicar•2010

  • The music never stopped”

    Hannah Gunderman, John Harty et al.•Journal of Cultural Geography•2017

  • The Political Agency of Musical Beauty

    Open Access•Barry Shank•American Quarterly•2011

  • Evolutionary Categories and Musical Style from Adler to America

    Rachel Mundy•Journal of the American…•2014

  • Postcolonial Cosmopolitan Music in Dar es Salaam

    Open Access•Imani Sanga•African Studies Review•2010

  • Music and Transcendence

    Open Access•Annemette Kirkegaard•Temenos - Nordic Journal for the…•2012

  • Ethnomusicology, the Music Canon, and African Music

    Jean Ngoya Kidula•Africa Today•2006

  • The national anthem

    Samuel Mutemererwa, Vimbai Chamisa et al.•Muziki•2013

  • Sounding the Media

    Open Access•Klaus Bruhn Jensen•Nordicom review/NORDICOM review•2006

  • Music as Education, Voice, Memory, and Healing

    Opiyo, Opiyo Opiyo•African Conflict and Peacebuilding…•2015

  • Getting heard in Tibet

    Anna Morcom•Consumption Markets & Culture•2008

  • Introduction1

    Sara Le Menestrel•Civilisations•2006

Unique citing works53
Citations per year2,41
Citation span2004 - 2024 (21)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 46
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