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Scale Critique for the Anthropocene

Bibliographic Data

ID8077541
AuthorsDerek Woods (corresponding author)
Year2014
Volume2014
Issue83
Pages133-142
Publication date2014-11-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueMinnesota Review (JOURNAL)
Journal identifiersISSN: 0026-5667 • E-ISSN: 2157-4189
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/00265667-2782327
OpenAlexW2011799625
LanguageEN
Citations received54
References cited28

The Anthropocene demands new concepts of scale for social, cultural, and aesthetic theory. The first concept of scale critique is scale variance, which means that variable physical constraints produce disjunctures among scales. This article explicates this concept in a reading of Ray Eames and Charles Eames’s animation Powers of Ten, drawing on examples from biology, ecology, and engineering. Scale variance is the opposite of fractal self-similarity and the smooth zoom effect apparent in Powers of Ten. Scale critique shows that the “human species” is not the subject of the Anthropocene. Smoothly scaled concepts of the human install a nature/culture opposition that mystifies the causes of climate change, centering them in the figure of “the species.” A scale-critical narrative of the Anthropocene points to terraforming assemblages of humans, nonhuman species, and technical systems

Anthropocene · Art · Biology · Cartography · Earth system science · Environmental ethics · Epistemology · Geography · Literature · Narrative · Scale (ratio · Sociology · Ecocriticism and Environmental Literature · Geographies of human-animal interactions · Science Education and Perceptions · Ecology · History · Philosophy

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Unique citing works54
Citations per year6
Citation span2017 - 2026 (10)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 53

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