Materials and Techniques of Post-Tonal Music
Bibliographic Data
| ID | 8079373 |
|---|---|
| Authors | Stefan Kostka (corresponding author), Matthew Santa |
| Year | 2018 |
| Publication date | 2018-03-13 |
| Open Access | No |
| Type | BOOK |
| Venue | Materials and Techniques of Post-Tonal Music (SOURCE_BOOK) |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.4324/9781315229485 |
| OpenAlex | W2890411237 |
| Open Library | OL40039624M |
| ISBN | 9781315229485 |
| Language | EN |
| Citations received | 18 |
Materials and Techniques of Post-Tonal Music, Fifth Edition provides the most comprehensive introduction to post-tonal music and its analysis available. Covering music from the end of the nineteenth century through the beginning of the twenty-first, it offers students a clear guide to understanding the diverse and innovative compositional strategies that emerged in the post-tonal era, from Impressionism to computer music. This updated fifth edition features: chapters revised throughout to include new examples from recent music and insights from the latest scholarship; the introduction of several new concepts and topics, including parsimonius voice-leading, scalar transformations, the New Complexity, and set theory in less chromatic contexts; expanded discussions of spectralism and electronic music; timelines in each chapter, grounding the music discussed in its chronological context; a companion website that provides students with links to recordings of musical examples discussed in the text and provides instructors with an instructor’s manual that covers all of the exercises in each chapter. Offering accessible explanations of complex concepts, Materials and Techniques of Post-Tonal Music, Fifth Edition is an essential text for all students of post-tonal music theory
Linguistics · Computer Science · Diverse Musicological Studies · Music Technology and Sound Studies · Composition (music) · Philosophy
Ressuscitando partituras do fundo da gaveta
Sound mass, auditory perception, and ‘post-tone’ music
What’s the Time? Deciphering “Meter” in Razak Abdul Aziz’s 5 Early Songs
Mapeamento de derivações por variáveis sintéticas na Peça para dois minutos de Guerra-Peixe
A Unidade da obra musical a partir da Metafísica de Aristóteles
Finding Florence Mills
Análise tonal e estatístico-descritiva dos procedimentos de criação de Tavinho Moura
Uma perspectiva de análise da obra Série de arco de Hermeto Pascoal
Metamórficas
Composition of “Karma” based on the Gestalt Modeling of “Ponteio No. 29” by Camargo Guarnieri
Dual mirrors of Müller
A study on Bernard Herrmann’s science fiction film music
Analysis of chromatic mediant relationship in film music score with Neo-Riemannian theory
Can the sustainable development goals harness the means and the manner of transformation
Reconsidering ‘Classical’ versus ‘Recombinant’ Teleologies
The Subsets of SLIDE‐ and Parallel‐Related Combinations in Twentieth‐Century Music
The integration of synthetic scales and the African Dies Irae motif in Alexander Johnson’s Kahlolo , Letšatši and Vocalise Africa
Sonata para flauta e piano de Lowell Liebermann
| Unique citing works | 18 |
|---|---|
| Citations per year | 3 |
| Citation span | 2020 - 2025 (6) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 16 |