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The Right to Hide? Anti-Surveillance Camouflage and the Aestheticization of Resistance

Bibliographic Data

ID8080396
AuthorsTorin Monahan (0000-0002-9055-399X, University of North Carolina at Chapel Hill, corresponding author)
Year2015
Volume12
Issue2
Pages159-178
Publication date2015-02-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCommunication and Critical/Cultural Studies (JOURNAL)
Journal identifiersISSN: 1479-1420 • E-ISSN: 1479-4233
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/14791420.2015.1006646
OpenAlexW2085188888
LanguageEN
Citations received29
References cited27

There has been a recent surge in artistic designs to conceal oneself from ambient surveillance in public places. These center on the masking of identity to undermine technological efforts to fix someone as a unique entity apart from the crowd. Ranging from fractal face paint and hairstyles, to realistic resin masks, to reflective underwear, anti-surveillance camouflage ostensibly allows people to hide in plain sight. These designs, however, enact an aestheticization of resistance premised on individual avoidance rather than meaningful challenge to the violent and discriminatory logics of surveillance societies

Aesthetics · Art · Camouflage · Face (sociological concept · Identity (music · Masking (illustration · Resistance (ecology · Sight · Social science · Sociology · Visual arts · Computer Science · Geographies of human-animal interactions · Photography and Visual Culture · Public Spaces through Art · Artificial Intelligence

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Unique citing works29
Citations per year2,64
Citation span2015 - 2025 (11)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 28

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