Poetry as a resonant method for multi-sensory research
Bibliographic Data
| ID | 8090810 |
|---|---|
| Authors | Daniel Paiva (0000-0001-9701-4705, corresponding author) |
| Year | 2020 |
| Volume | 34 |
| Pages | 100655-100655 |
| Publication date | 2020-01-29 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Emotion, space and society (JOURNAL) |
| Journal identifiers | ISSN: 1878-0040 • E-ISSN: 1755-4586 |
| Publisher | Elsevier BV (PUBLISHER) |
| DOI | 10.1016/j.emospa.2020.100655 |
| OpenAlex | W3003758980 |
| Language | EN |
| Citations received | 22 |
| References cited | 73 |
This article explores the potential of poetry for attuning to and expressing resonance in multi-sensory geographies. I argue that poetic inquiry can provide novel ways to address sensory geographies, by shifting the focus from individual senses to a more integrated understanding of how sensory phenomena resonates across bodies and spaces. By doing this, poetry also becomes a resonant method that allows one to merge different subjectivities and express pluriversal worlds. I draw upon Erlmann's discussion of resonance as a way to overcome three dichotomies regarding knowing and the senses that have been recently contested in sensory geographies, namely the dichotomies between reasoning and the affective, the external and internal, and attention and distraction. In order to demonstrate the potential of poetry as a resonant method, I present a poetic exploration of the life of the Staines Reservoirs. The findings of this experiment show that poetry can be a resonant method when the geographer-poet is attuned to the way in which thinking and feeling are intertwined, the ways in which the senses mix themselves in the experience of the world, and the ways in which the world resonates within bodies and bodies echo in the world
Aesthetics · Art · Dichotomy · Epistemology · Feeling · Literature · Merge (version control · Poetry · Sociology · Computer Science · Geographies of human-animal interactions · Posthumanist Ethics and Activism · Philosophy
Genealogical Basis of Epos as the Historical and Cultural Heritage of the Folk
Development of Teaching Materials for Dialogue Training
Creative Process-Based Digital Teaching Materials to Increase Poetry Writing Creativity of High School Students
Sonic touristification and the transformation of Lisbon’s urban ambiances
Communicating the Urban Experience through Biosensing
Breaking the Status Quo
Polyvocal Poetry
Toward New Understandings
Poetry On the Run
Silent Footsteps
Poetry
Undoing business
Poetry and possible selves
Midwest nice and whiteness
Geopoetics of distance
Poetics in the work of three urban photographers
Four urban ecologies
Poetry, paths, and peatlands
Listening-with the subaltern
Buzzing Lines of Flight
The Anthropocene Obscene
Staging hydrophilic encounters - experiential methods for creating dialogic listening space
Phenomenology of the Alien
Touched by water
Veggies and visceralities
Rethinking musical cosmopolitanism as a visceral politics of sound
Olfactory Attunements and Technologies
Voicing Concerns
Acknowledging the work of poetry
Peace building with the body
Retracing trajectories
Touching the sacred
Playful and multi-sensory fieldwork
On the possibility of ethics in geography
Now let me share this with you”
Artistic Practices and the Redistribution of the Sensible in Largo do Chiado
The Nose Knows
Putting Descartes before Dehors
A touching experiment
Fruit of the cyclone
Nano-art, dynamic matter and the sight/sound of touch
Départ
Creating ambiances, co‐constructing place
Standing still
Smell in the City
Reconfiguring Familiar Worlds with Light Projection
Thermal Sensations—Burning the Flesh of the World
Postphenomenology and Method
An emotional cartography of resonance
On the creative (re)turn to geography
Earth Writing
Using ‘the body’ as an ‘instrument of research
Situating Geopoetics
Critical geographies and geography’s creative re/turn
Illuminights
How is space made in sound? Spatial mediation, critical phenomenology and the political agency of sound
A multisensory phenomenology of interrail mobilities
Haptic geographies
Making sense of sound
Porous skin
Dear departed
Ethnographic fiction for writing and research in cultural geography
From embodiment to emplacement
Listening geographies
Geographies of Touch/Touched by Geography
The Art of Writing Place
Sonic geographies
Displacements
Poetic world-writing in a pluriversal world
Performing the (Sound)World
Failing on Deaf Ears
Sense and the city
Always like never before
Living through, living with and living on from breast cancer in the UK
Nurturing sociality with birdlife in the context of life with sight impairment
Liquid passions
More-than visual approaches to architecture. Vision, touch, technique
Elemental mobilities
Involved Knowing
Three poems on flood histories in rural Ireland
Unit, vibration, tone
Diachronic loops/deadweight tonnage/bad made measure
Excursions - telling stories and journeys
The smell of the Moon
Introduction
Geographies of poetry/poetries of geography
David Frisby's 'Streetscapes of Modernity
We Are the World? Anthropocene Cultural Production between Geopoetics and Geopolitics
| Unique citing works | 22 |
|---|---|
| Citations per year | 3,67 |
| Citation span | 2020 - 2026 (7) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 21 |