Beyond the cyborg
Performance, Attunement and Autonomous Computation
Dados Bibliográficos
| ID | 8093984 |
|---|---|
| Autores | Marco Donnarumma (Graduiertenschule, Berlin University of the Arts, Berlin, Germany, autor correspondente) |
| Ano | 2017 |
| Volume | 13 |
| Fascículo | 2 |
| Páginas | 105-119 |
| Data de publicação | 2017-06-16 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | International Journal of Performance Arts and Digital Media (JOURNAL) |
| Identificadores do periódico | ISSN: 1479-4713 • E-ISSN: 2040-0934 |
| Editora | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/14794713.2017.1338828 |
| OpenAlex | W2624757147 |
| Idioma | EN |
| Citações recebidas | 8 |
| Referências citadas | 21 |
Body technologies, such as prostheses and biosensors, are active means of lived experimentation: they enable forms of hybrid embodiment such as the cyborg, whose diverse representations by artists and performers have infiltrated our societal normative regime. To talk about body politics is therefore to talk about the technologies the body incorporates, how they probe its alleged integrity. Performance theories and practices offer a fertile ground of experimentation with this issue. Yet, there is a tendency to frame body technologies as either material extensions of one’s body or external objects one perceives with. Such approaches support technocratic systems of beliefs by eliding immaterial and pre-conscious aspects of technological incorporation, I argue. Key to this argument is the notion of automaticity; a subjective form of psychic attunement with particular technical instruments. The performativity of certain bodily thresholds enables forms of human–machine codependence, where body and technology affect each other through discipline, training and relational economies of desire. As a case study, I offer an autoethnographic analysis of my own performance with an artificially intelligent body technology. This reveals an inherently hybrid and relational corporeality, which confounds the boundaries between human and technical, material and immaterial, perceptual and psychological, conscious and pre-conscious
Aesthetics · Argument (complex analysis · Art · Attunement · Autopoiesis · Cognitive science · Epistemology · Perception · Performative utterance · Performativity · Sociology · Computer Science · Geographies of human-animal interactions · Innovative Human-Technology Interaction · Posthumanist Ethics and Activism · Psychology · Artificial Intelligence · Social Psychology
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The Phenomenon of Corporeality in the Performative Paradigm
Across Bodily and Disciplinary Borders
La rebelión de las máquinas. Arte, singularidad tecnológica y ciencia ficción
Difference-in-resonance
The black box aesthetics
One Is Too Few, but Two Are Too Many”
Cyberspace/Cyberbodies/Cyberpunk
Thinking in Jazz
Immaterial Bodies
The Body in Culture, Technology and Society
The Influence of Experience and Deliberate Practice on the Development of Superior Expert Performance
Sonic Bodies
Embodying the Monster
The ‘unfinished’ subject
The female cyborg as grotesque in performance
Re-imagining Embodiment
Les techniques du corps
Living a 'Phantom Limb
Riding
Becoming-Animate
The Vibrations of Affect and their Propagation on a Night Out on Kingston's Dancehall Scene
The Body We Care for
| Obras citantes distintas | 8 |
|---|---|
| Citações por ano | 1,14 |
| Intervalo de citações | 2019 - 2026 (8) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 7 |