Rethinking Safeguarding
Objections and Responses to Protecting and Promoting Endangered Musical Heritage
Bibliographic Data
| ID | 8094728 |
|---|---|
| Authors | Catherine Grant (0000-0003-2952-8426, Griffith College Cork, corresponding author) |
| Year | 2012 |
| Volume | 21 |
| Issue | 1 |
| Pages | 31-51 |
| Publication date | 2012-03-16 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | British Journal of Ethnomusicology (JOURNAL) |
| Journal identifiers | ISSN: 0968-1221 • E-ISSN: 1741-1920 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/17411912.2012.641733 |
| OpenAlex | W1992305269 |
| Language | EN |
| Citations received | 25 |
| References cited | 10 |
The widespread threat to certain kinds of music genres (particularly those of indigenous and minority peoples) resulting from major socio-economic and political shifts in recent decades has stimulated a call for applied ethnomusicological engagement with safeguarding. Discourse from the field of language maintenance, however, underscores a number of significant ethical, ideological and pragmatic concerns generated by efforts to safeguard intangible cultural heritage. For ethnomusicologists, these concerns warrant careful consideration. In this paper, I position four primary charges against safeguarding from the language maintenance literature in relation to safeguarding music cultures, thereby hoping to invite new reflections on the challenges we face and the stances we might adopt when helping communities that are trying to protect and promote their endangered musical heritage
Aesthetics · Art · Cultural heritage · Environmental ethics · Ideology · Indigenous · Musical · Political science · Politics · Safeguarding · Sociology · Diverse Musicological Studies · Music History and Culture · Musicology and Musical Analysis · Law
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| Unique citing works | 25 |
|---|---|
| Citations per year | 1,79 |
| Citation span | 2012 - 2026 (15) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 24 |