Connecting Indigenous Song Archives to Kin, Country and Language
Bibliographic Data
| ID | 4549889 |
|---|---|
| Authors | Clint Bracknell (0000-0002-9808-1624) |
| Year | 2019 |
| Volume | 20 |
| Issue | 2 |
| Publication date | 2019-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Colonialism and Colonial History (JOURNAL) |
| Journal identifiers | ISSN: 1532-5768 • E-ISSN: 1532-5768 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/cch.2019.0016 |
| OpenAlex | W2968103560 |
| Language | EN |
| Citations received | 12 |
| References cited | 19 |
In Australia and elsewhere, the repatriation of archival material has emerged as a common practice amongst music researchers working with Indigenous communities. The return of archival audio recordings and documentation to their communities of origin can assist local efforts to sustain endangered song traditions. Increased community access to old recordings of song performances may prompt recollections, trigger new performances and provide impetus to for communities to engage in processes of cultural revival and revitalisation. The Noongar song traditions of Western Australia's large southwest corner are critically endangered, as is the Noongar language. A review of pertinent archival recordings, plus more recently collected material, assists in tracing the tenuous maintenance of Noongar song traditions throughout a hostile and challenging historical context. Surveying the broader field of Indigenous music repatriation projects, the geographical, genealogical and ethnolinguistic connections between singers recorded in the past and those interested in sustaining musical traditions into the future loom as integral to the nature of Indigenous music revivals. Such factors may also serve to enrich archives, potentially providing previously absent metadata and contemporary contexts and purposes for old recordings
Archaeology · Art · Context (archaeology · Documentation · Indigenous · Musical · Repatriation · Sociology · Visual arts · Cultural Heritage Management and Preservation · Digital and Traditional Archives Management · Diverse Musicological Studies · History
Discourse and social interaction
Noun classes
Phonotactics
Australian languages and interdisciplinary approaches to the past
Learning Cycles
Innovative pedagogy for creative musicianship
Karlup Bidi , Pathways Home
Beyond presentism
Oral language as a foundation for meaningful classroom literacy learning
Wanji-wanji
Ngiyampaa ngiya guthigu ngiyali (Ngiyampaa Words for Talking About Songs)
The Oxford Guide to Australian Languages
The Invention Of Tradition
An Introduction to Sustainability and Ethnomusicology in the Australasian Context
Communities of Interest
Rethinking Safeguarding
Say You’re a Nyungarmusicologist
World Music/Musics of the World
Musical Revitalization among the Choctaw
Developing a Triage System to Determine Approaches to Sustaining Intangible Cultural Heritage
We're all Archivists Now
Sustaining Traditions
Archives for the Future. Global Perspectives on Audiovisual Archives in the 21st Century
Yothu Yindi's 'Treaty
Music and Dance of Aboriginal Australia and the South Pacific
Music Revivals
Songs of Aboriginal Australia
Anthropology in and of the Archives
| Unique citing works | 12 |
|---|---|
| Citations per year | 2 |
| Citation span | 2020 - 2026 (7) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 12 |