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The aestheticisation of surveillance

Visibility, affect, and the moral economy of digital capitalism

Bibliographic Data

ID8132008
AuthorsGil Baptista Ferreira (0000-0002-5917-1248, Polytechnic Institute of Coimbra, corresponding author)
Year2026
Publication date2026-02-06
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCritical Sociology (JOURNAL)
Journal identifiersISSN: 0896-9205 • E-ISSN: 1569-1632
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/08969205251414994
OpenAlexW7128298064
LanguageEN
References cited31

This article explores the aesthetic and affective normalisation of surveillance in contemporary digital capitalism. It shows how everyday practices of digital self-presentation such as posting, sharing, and taking selfies shape visibility as a moral and economic value. Drawing on Walter Benjamin’s notion of aura, Zygmunt Bauman’s concept of liquidity, and Byung-Chul Han’s reflections on transparency, the analysis examines how ideals of productivity, openness, and self-optimisation are translated into visual and emotional norms. The article conceptualises this dynamic as an aestheticisation of everyday surveillance, understood as a participatory regime in which users actively sustain forms of visibility through gestures of care, pleasure, and exposure. Bringing together theoretical perspectives and empirical studies on youth self-presentation, it highlights surveillance as a relational aesthetic practice embedded in platform environments. The article contributes to critical social theory by linking aesthetic experience, affect, and visibility within contemporary capitalism

Capitalism · Citizen journalism · Everyday life · Gesture · Moral economy · Precarity · Social practice · Visibility · Digital Economy and Work Transformation · Digital Media and Philosophy · Gender, Feminism, and Media

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Citation velocityhistorical
Highly citedNo

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