Commoning in Sonic Ethnography (or, the Sound of Ethnography to Come)
Bibliographic Data
| ID | 8251006 |
|---|---|
| Authors | Dave Wilson (0000-0001-6056-229X, Victoria University of Wellington, corresponding author) |
| Year | 2017 |
| Volume | 1 |
| Issue | 1 |
| Pages | 125-136 |
| Publication date | 2017-12-18 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Commoning Ethnography (JOURNAL) |
| Journal identifiers | ISSN: 2537-9879 • E-ISSN: 2537-9879 |
| Publisher | Victoria University of Wellington Library (PUBLISHER) |
| DOI | 10.26686/ce.v1i1.4134 |
| OpenAlex | W2775831685 |
| Language | EN |
| Citations received | 1 |
| References cited | 10 |
When considering an ethnography commons, it seems that there are at least two sorts of boundaries that commoning has the potential to reconfigure: 1) boundaries within the academy between disciplines and 2) boundaries between the academy and ‘the rest of the world.’ Admittedly, these boundaries are often constructed (or imagined) from within the academy itself, and seeking ways to re-draw them may result in yet another navel-gazing exercise that reaffirms particular modes of knowledge production disproportionally beneficial to those ‘in’ the academy. In this essay, I focus on ethnography grounded in sound and how it both productively traverses disciplinary boundaries and usefully brings into relief the unevenness of commoning. I examine a number of discourses in ethnomusicology dealing with sonic epistemologies and interaction, music making as ethnographic method, and intellectual property, all the while grappling with my own work as an ethnographer involved in the production of collaborative sonic texts
Acoustics · Aesthetics · Commons · Discipline · Epistemology · Ethnography · Knowledge production · Media studies · Political science · Social science · Sociology · Sound (geography · Anthropology · Computer Science · Diverse Musicological Studies · Law · Music History and Culture · Music Technology and Sound Studies · Philosophy
Toward a Mediation of Field Methods and Field Experience in Ethnomusicology
The empire of things
Music of Death and New Creation
Semantic, Logical and Political Considerations Bearing upon Research in Ethnomusicology
"The Challenge of "Bi-Musicality
Ethnomusicology and Music Law
"The Commodification of Music at the Dawn of the Era of "Mechanical Music
Music of Death and New Creation
The value of (performative) acts
| Citations per year | 0.17 |
|---|---|
| Citation span | 2020 - 2020 (1) |
| Highly cited | No |