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Dead Living Things

A Cabinet of Curiosities in the Postcolony

Bibliographic Data

ID8364011
AuthorsDeirdre Pretorius (0000-0003-3174-5403, University of Johannesburg, corresponding author)
Year2022
Volume57
Issue2
Pages33-60
Publication date2022-05-04
Peer ReviewedYes
Open AccessNo
TypeARTICLE
Venuede arte (JOURNAL)
Journal identifiersISSN: 0004-3389 • E-ISSN: 2471-4100
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00043389.2022.2145033
OpenAlexW4320075544
LanguageEN
Citations received2
References cited19

This article offers a reflection on a research-led practice project titled Dead Living Things: A Cabinet of Curiosities in the Postcolony through which I explored how academic research can inform and be extended into creative practice. While the project resulted in both creative and textual outputs, the focus here is on the creative output, consisting of a physical cabinet of curiosities filled with a curated collection of found objects, accompanied by a catalogue/artist’s book in hard copy and digital format. The creative work aimed at exploring how a cabinet of curiosities can be used to tell stories informed by postcolonial theory that confront colonial narratives in the contemporary South African context. This article contextualises the creative output by discussing the history of cabinets of curiosities and pointing out their link to colonialism and their influence on contemporary art. This is followed by a reflection on the development of the project, which I carry out by plotting my process onto the iterative cyclic web model of practice-led research and research-led practice developed by Hazel Smith and Roger Dean. I conclude by describing the content, categorisation, and display of the cabinet and the catalogue. Research- led practice, which involved an extensive literature review, visual research, and archival research, guided the conception of the content and form of the final work and resulted in creative work with the potential to be recognised as research output. I found the iterative cyclic web model useful for describing and understanding how the project unfolded, and for understanding the many other possibilities for approaching and developing creative output as research

Art · Cabinet (room) · Colonialism · Context (archaeology) · Creative brief · Creative work · Creativity · Literature · Narrative · Political science · Sociology · Visual arts · Artistic and Creative Research · History · Law · Participatory Visual Research Methods

  • Cabinets of curiosities for the postcolony II

    Open Access•Jacqueline Deirdre Pretorius•Connectivity and creativity in…•2023

  • Dead Living Things

    Deirdre Pretorius•de arte•2022

  • Zulu-English dictionary

    Clement Martyn Doke•Zulu-English dictionary•1973

  • Jan Švankmajer’s Kunstkammer

    Open Access•Anna Brzezinska, Anna Maria Brzezińska et al.•Journal of Education Culture and…•2020

  • Knowledge and Power

    Open Access•Esther Helena Arens, Charlotte Kießling•European Review•2018

  • Museums and Empire

    Sarah Longair•The Journal of Imperial &…•2010

  • Curating Empire

    Simon J Potter•The Journal of Imperial &…•2013

  • Dead Living Things

    Deirdre Pretorius•de arte•2022

  • A thousand plateaus

    Félix Guattari, Gilles Deleuze•A thousand plateaus•1987

  • Encyclopaedia of Southern Africa

    J L•African Affairs•1973

  • Neat Nature

    Open Access•Bert Van De Roemer•History of Science•2004

Unique citing works2
Citations per year0.5
Citation span2022 - 2023 (2)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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