On Location” Filming in San Diego County from 1985–2005
How a Cinematic Landscape Is Formed Through Incorporative Tasks and Represented Through Mapped Inscriptions
Bibliographic Data
| ID | 8378397 |
|---|---|
| Authors | Chris Lukinbeal (0000-0003-1827-7764, University of Arizona, corresponding author), Christopher Lukinbeal |
| Year | 2012 |
| Volume | 102 |
| Issue | 1 |
| Pages | 171-190 |
| Publication date | 2012-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Annals of the Association of American Geographers (JOURNAL) |
| Journal identifiers | ISSN: 0004-5608 • E-ISSN: 1467-8306 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/00045608.2011.583574 |
| OpenAlex | W2080418668 |
| Language | EN |
| Citations received | 22 |
| References cited | 28 |
The form of San Diego County's cinematic landscape is shaped by processes of inscription, whereby particular representational techniques are brought to bear, but also by processes of incorporation, which can be understood as the off-camera decisions, tasks, and events that allow for filming to take place. One of the primary tasks involves selecting sites with a high level of production value while minimizing costs and fulfilling the needs of the script. The San Diego Film Commission (SDFC), which aids filmmakers in the tasks required to produce films, is a key entity in shaping this region's cinematic landscape. Where geography often focuses on how a film inscribes meaning and identity into its form, I show how the form of a region's cinematic landscape extends beyond a single filmic event to engage a multiplicity of representations, tasks, and practices. I use a mixed method approach, including spatial analysis to examine and map the inscripted form of San Diego's cinematic landscape. In-depth interviews and fieldwork were used to evaluate how a location's production value plays a key role in the formative process of incorporative tasks of an ever-changing landscape
Aesthetics · Art · Epistemology · Event (particle physics) · Formative assessment · Key (lock) · Meaning (existential) · Sociology · Value (mathematics) · Visual arts · Art History and Market Analysis · Cinema and Media Studies · Computer Science · Cultural Industries and Urban Development
Acafan identity, communities of practice, and vocational poaching
Journeys from the east
Territorial Appeals in Post‐Wall German Filmmaking
Remember the Alamo
Film Geography
Introducing Mediated Geographies and Geographies of Media
Geographies of media
Film
Functions of Landscape in Games—A Theoretical Approach with Case Examples
A Green Intervention in Media Production Culture Studies
Site-specific television as urban renewal
This is how I pictured it”
La “grande bellezza”
Doing film geography
The flight of Icarus
Towards a multimethod approach for film geography
Geographies of media and communication I
Beyond the Screen
But how do you show that in a film?” Absence, Cartographic Anxiety, and Geographic Realism through the Landscapes of Akira Kurosawa’s Dersu Uzala
TV drama production studios of Istanbul
Staging atmosphere
Lost in Thailand
The Classical Hollywood Cinema
Toward a Conceptual Framework for Mixed-Method Evaluation Designs
The Transition to Flexible Specialisation in the US Film Industry
The Classical Hollywood Cinema
The Practice of Everyday Life
Landscape and the Obliteration of Practice
Landscape and the Obliteration of Practice
Atlas of emotion
Simulacra and Simulation
Runaway Hollywood
Film geography
The geography of cinema – a cinematic world
The rise of regional film production centers in North America, 1984–1997
Space, Place, Spectacle
The view from out West
Flexible Specialization and Regional Industrial Agglomerations
Engaging Film
Landscape and labyrinths
On location
Gathering 'Dreams of Presence
The City as Studio; The World as Back Lot
The Classical Hollywood Cinema
The temporality of the landscape
Shooting space, tracking time
Rethinking the animate, re-animating thought
| Unique citing works | 22 |
|---|---|
| Citations per year | 1,69 |
| Citation span | 2013 - 2025 (13) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 19 |