From Philosophy-Cinema to Philosophy-Screens
Reflections on the Thought of Mauro Carbone
Bibliographic Data
| ID | 8409663 |
|---|---|
| Authors | Galen A Johnson (University of Rhode Island, corresponding author) |
| Year | 2021 |
| Volume | 52 |
| Issue | 3 |
| Pages | 251-257 |
| Publication date | 2021-07-03 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of the British Society for Phenomenology (JOURNAL) |
| Journal identifiers | ISSN: 0007-1773 • E-ISSN: 2332-0486 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/00071773.2020.1859071 |
| OpenAlex | W3115639840 |
| Language | EN |
| References cited | 6 |
Mauro Carbone’s most recent book, Philosophy-Screens: From Cinema to the Digital Revolution (SUNY Press, 2019) advances the work and thought of his Flesh of Images: Merleau-Ponty Between Painting a
Art · Art history · Movie theater · Ethics, Aesthetics, and Art · Kierkegaardian Philosophy and Influence · Philosophy · Visual Culture and Art Theory
| Highly cited | No |
|---|