The Flesh of Images, Images of Flesh
Merleau-Ponty Forwarded
Bibliographic Data
| ID | 8409826 |
|---|---|
| Authors | Galen A Johnson (University of Rhode Island, corresponding author) |
| Year | 2017 |
| Volume | 48 |
| Issue | 4 |
| Pages | 360-367 |
| Publication date | 2017-10-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of the British Society for Phenomenology (JOURNAL) |
| Journal identifiers | ISSN: 0007-1773 • E-ISSN: 2332-0486 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/00071773.2017.1286737 |
| OpenAlex | W2590691043 |
| Language | EN |
| Citations received | 1 |
| References cited | 5 |
The Flesh of Images: Merleau-Ponty Between Painting and Cinema, by Mauro Carbone, is his third book in a body of work interpreting Merleau-Ponty’s ontology of Flesh: The Thinking of the Sensible: M
Art · Art history · Biology · Flesh · Movie theater · Painting · Art, Aesthetics, and Perception · Food Science · Phenomenology and Existential Philosophy · Philosophy · Philosophy, Ethics, and Existentialism
| Citations per year | 0.2 |
|---|---|
| Citation span | 2021 - 2021 (1) |
| Highly cited | No |