Encountering the Creative Museum
Museographic creativeness and the bricolage of time materials
Bibliographic Data
| ID | 8857239 |
|---|---|
| Authors | Anwar Tlili (King's College London, corresponding author) |
| Year | 2015 |
| Volume | 48 |
| Issue | 5 |
| Pages | 443-458 |
| Publication date | 2015-04-22 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Educational Philosophy and Theory (JOURNAL) |
| Journal identifiers | ISSN: 0013-1857 • E-ISSN: 1469-5812 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/00131857.2015.1031068 |
| OpenAlex | W2053885658 |
| Language | EN |
| Citations received | 5 |
| References cited | 43 |
The aim of this article is to trace some lines of thinking towards a conceptualization of the uniqueness of the creative work of museums, the mode of creativeness that belongs exclusively to museums, or at least that museums are capable of by virtue of the types of materials and forms as well as activities unique to what will be referred to as museography. This is linked to the question of what it is that constitutes the uniqueness of museum work as a professional field. The article characterizes the uniqueness of museum professional knowledge primarily in terms of a mode of creativeness, or bricolage in Levi-Strauss’s sense, mediated through the museographic form, and applied to the chance assemblies of materials to generate museum-specific modes of engaging questions—across science, culture, and society—particularly through creating unique temporal arrangements, or durations, that provoke thought, learning, and engagement on museographic terms. Museography’s originality, it is argued, consists in a bricolage that works through the museum’s unique material and form to create learning resources and encounters, museographic assemblages that depart from a conception of linear time as the space of evolutionary narrative to facilitate the experience of Bergsonian durations
Aesthetics · Art · Bricolage · Conceptualization · Craft · Epistemology · Mode (computer interface · Originality · Social science · Sociology · Value (mathematics · Visual arts · Aesthetic Perception and Analysis · Art Education and Development · Computer Science · Museums and Cultural Heritage · Philosophy
Pedagogy, Symbolic Control, and Identity
The Concept of Mind
Art Encounters Deleuze and Guattari
Chapter 4 Affect as Method
The Concept of Mind
Time and Free Will
The memory of another past
The future of the other
Gilles Deleuze's Philosophy of Time
Time, Creativity and Culture
Social Policy and Cultural Services
Creative labour, cultural work and individualisation
Imagining the social impact of museums and galleries
Slipping through the cracks
Instrumental policies
Museums, professionalism and democracy1
Reflecting on the New Museum Through an Antipodean Lens
New Labour's Socially Responsible Museum
Museum Studies Now
The Man Without Content
Making Museum Studies
Exploring the evidence base for museum value
Museum studies
Public memories and private tastes
Museum and university mutations
Taking stock
Museums and the 'new museology
The development of museum studies in universities
Putting museum studies to work
Preparing a new generation
Managing performance in publicly funded museums in England
The Wheelwright's Shop
Steps to an Ecology of Mind
The Savage Mind
| Unique citing works | 5 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2016 - 2021 (6) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 5 |