Emotion and Narrative Empathy in Sir Gawain and the Green Knight
Bibliographic Data
| ID | 8864359 |
|---|---|
| Authors | Antonina Harbus (0000-0002-9309-6501, corresponding author) |
| Year | 2016 |
| Volume | 97 |
| Issue | 6 |
| Pages | 594-607 |
| Publication date | 2016-06-13 |
| Open Access | No |
| Type | ARTICLE |
| Venue | English Studies (JOURNAL) |
| Journal identifiers | ISSN: 0013-838X • E-ISSN: 1744-4217 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/0013838x.2016.1183929 |
| OpenAlex | W2553009887 |
| Language | EN |
| References cited | 31 |
This article proposes that Sir Gawain and the Green Knight presents emotionally focused content that actively invites readerly empathy with its flawed hero. This poem recruits the potential of the literary text both to represent human emotion, and also to arouse emotional responses in the reader (or hearer). This twofold affective capacity has yet to be analyzed as a key component of the text’s durable appeal and cross-cultural intelligibility. Gawain works as an engaging narrative because it invites from the reader a full understanding of the hero’s hesitant embodied experience, and in turn encourages an empathetic response to a finely nuanced dilemma. Through the representation of mental and emotional states, it primes the reader to simulate the emotional experiences of the hero; to invest affectively in his situation by entertaining the emotions presented in the textual fiction; and to enter a text world that stresses joy over other possible emotional keys
Aesthetics · Appeal · Art · Dilemma · Embodied cognition · Empathy · Epistemology · HERO · Knight · Literature · Narrative · Poetry · Psychoanalysis · Folklore, Mythology, and Literature Studies · Historical, Literary, and Cultural Studies · Medieval Literature and History · Psychology · Philosophy · Social Psychology
Experiencing Narrative Worlds
A Theory of Narrative Empathy
Origins of Human Communication
The Concept of Shame in Late‐Medieval English Literature
A taxonomy of the emotions of literary response and a theory of identification in fictional narrative
Deeper than reason
Upheavals of thought
A feeling for fiction
The Narrative Construction of Reality
| Highly cited | No |
|---|