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Weaving and Tailoring the Andean Church

Textile Ornaments and Their Makers in Colonial Peru

Bibliographic Data

ID8873236
AuthorsMaya Stanfield-Mazzi (0000-0002-7440-6957, University of Florida, corresponding author)
Year2015
Volume72
Issue1
Pages77-102
Publication date2015-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Americas A Quarterly Review of Latin American History (JOURNAL)
Journal identifiersISSN: 0003-1615 • E-ISSN: 1533-6247
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/tam.2014.6
OpenAlexW2130678299
LanguageEN
Citations received2
References cited19

The first Christian churches were built in the Andes soon after Spaniards arrived. Initially simple structures, they were later remodeled into large stone monuments. Aside from their architectural construction, the furnishing and decoration of these churches was an ongoing project that involved many participants, often under the watchful eye of a parish priest. Art historians have uncovered fascinating cases in which native artists exercised agency in creating works to be displayed in church interiors, many of which expressed Andean as well as Christian beliefs. This scholarship has focused primarily on the art forms of painting and sculpture, which were very visible within the church, especially in cases such as the baptism murals discussed by Ananda Cohen Suarez in this issue. An underappreciated yet equally notable aspect of church decoration was textiles. Throughout the colonial period churches were abundantly adorned with “church clothing,” textile ornaments meant to cover floors, walls, and altars as well as clothe church functionaries and religious statuary. The purchase and maintenance of church textiles consumed the lion's share of annual church budgets

Archaeology · Art · Art history · Baptism · Clothing · Colonialism · Ornaments · Painting · Scholarship · Sculpture · Style (visual arts · Textile · Theology · Visual arts · Early Modern Women Writers · Historical Studies in Latin America · History · Latin American history and culture · Law · Philosophy

  • Indigenous clothing changes in the Andean highlands under Spanish colonialism

    Open Access•Christine Beaule, Christine D Beaule•Estudios Atacameños Arqueología y…•2019

  • Material Encounters

    Open Access•Stefan Hanß•The Historical Journal•2019

  • Peru's Indian peoples and the challenge of Spanish conquest

    Steve J Stern•Peru's Indian peoples and the…•1982

  • Shadows of Empire

    Open Access•David T Garrett•Shadows of Empire•2005

  • The Andean Hybrid Baroque

    Marie Timberlake•The Catholic historical review•2012

  • Converging Cultures

    Charlene Villaseñor Black•Sixteenth Century Journal•1998

  • Cult, Countenance, and Community

    Maya Stanfield-Mazzi•Religion and the Arts•2011

  • The Possessor's Agency

    Maya Stanfield-Mazzi•Colonial Latin American Review•2009

  • The Colonial Andes

    Open Access•Craig Bunch•The Art Book•2005

  • Transatlantic Encounters

    Brooke Larson, Kenneth J Andrien et al.•The Journal of Interdisciplinary…•1994

  • Hybridity and Its Discontents

    Christopher Dean, Carolyn Dean et al.•Colonial Latin American Review•2003

  • "Indians and Mestizos in the "Lettered City

    Alcira Dueñas•"Indians and Mestizos in the…•2010

  • Object and Apparition

    Aaron M Hyman•Colonial Latin American Review•2014

  • Protective Perimeters

    Open Access•Anne Paul•Res: Anthropology and Aesthetics•2000

  • Vanishing Art of the Americas

    Robert J Mullen, Pál Kelemen•Hispanic American Historical Review•1979

Unique citing works2
Citations per year0,29
Citation span2019 - 2019 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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