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Judith Wright and the Temporality of Composition

Bibliographic Data

ID8892170
AuthorsEileen Mcmahon (0000-0002-7447-2292, corresponding author), Elizabeth Mcmahon (0000-0002-4412-5126)
Year2007
Publication date2007-10-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAustralian Literary Studies (JOURNAL)
Journal identifiersISSN: 0004-9697 • E-ISSN: 1837-6479
PublisherAustralian Literary Studies (PUBLISHER • AU)
DOI10.20314/als.eb8015ec5c
OpenAlexW2520459047
LanguageEN
Citations received1

Discusses the different approaches to Wrightâ s poetry over the period from her first collection The Moving Image (1946) to her Collected Poems(1994) in the foreword to which Wright discussed changes in literary fashions and readership. Taking several individual poems, McMahon explores their â complex relation of past and present to present and future readers

Art · Art history · Audience measurement · Composition (language · Epistemology · Literature · Poetry · Political science · Relation (database · Sociology · Temporality · Wright · Art, Politics, and Modernism · Computer Science · Cultural History and Identity Formation · History · Law · Philosophy · Poetry Analysis and Criticism

  • “Time Has Caught on Fire

    Open Access•Anna Kowalcze‐Pawlik•International Studies Interdiscipli…•2022

Unique citing works1
Citations per year0,25
Citation span2022 - 2022 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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