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Joy in Labour

The Politicization of Craft from the Arts and Crafts Movement to Etsy

Bibliographic Data

ID8895667
AuthorsMichele Krugh (corresponding author)
Year2014
Volume44
Issue2
Pages281-301
Publication date2014-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCanadian Review of American Studies (JOURNAL)
Journal identifiersISSN: 0007-7720 • E-ISSN: 1710-114X
PublisherUniversity of Toronto Press Inc. (UTPress) (PUBLISHER)
DOI10.3138/cras.2014.s06
OpenAlexW2128480430
LanguageEN
Citations received17
References cited16

Since the time of the Arts and Crafts movement of the late nineteenth century, craft production and consumption has been politicized. Craft’s focus on hand making has been used to contrast intentional, individual labour with the division of labour involved in industrial mass production. Through its mission to build a more fulfilling world through ethical commerce, craftsmanship, and fun, the contemporary e-commerce site Etsy participates in the discourse of politicized craft that was articulated over a hundred years ago by William Morris, with his dream of “joy in labour.” While craft’s individualism can limit its political effectiveness, craft’s utopian impulse to build a better world through more fun and through labour that is more fair is a valuable ideal and one that has survived for more than a century

Aesthetics · Art · Consumption (sociology · Craft · Handicraft · Individualism · Movement (music · Political science · Politics · Sociology · The arts · Visual arts · Crafts, Textile, and Design · Cultural Industries and Urban Development · Fashion and Cultural Textiles · Law

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Unique citing works17
Citations per year1.7
Citation span2016 - 2026 (11)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 17

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