Performance and Persona in the U.S. Avant-Garde
The Case of Maya Deren
Bibliographic Data
| ID | 8905035 |
|---|---|
| Authors | Maria Pramaggiore (0000-0002-2297-6093, corresponding author) |
| Year | 1997 |
| Volume | 36 |
| Issue | 2 |
| Pages | 17-17 |
| Publication date | 1997-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Cinema Journal (JOURNAL) |
| Journal identifiers | ISSN: 0009-7101 • E-ISSN: 1527-2087 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1225773 |
| OpenAlex | W2322109430 |
| Language | EN |
| Citations received | 3 |
Maya Deren's persona illustrates the similarities between practices of stardom in mainstream and alternative film, and Deren's use of film as a performative art highlights the relationship between film images and persona
Aesthetics · Archaeology · Art · Art history · Avant garde · Humanities · Literature · Mainstream · Maya · Performative utterance · Persona · Theology · Visual arts · Art, Politics, and Modernism · Cinema and Media Studies · History · Philosophy · Shakespeare, Adaptation, and Literary Criticism
| Citations per year | 0.19 |
|---|---|
| Citation span | 2010 - 2015 (6) |
| Highly cited | No |