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Movie-Made America

A Cultural History of American Movies

Bibliographic Data

ID8905108
AuthorsJohn Fell (corresponding author), John L Fell, Frank D Mcconnell, Michael Wood (0000-0002-6216-142X)
Year1976
Volume15
Issue2
Pages81-81
Publication date1976-01-01
Open AccessNo
TypeREVIEW
Review ofMovie-made America: A cultural history of American movies, Robert Sklar, 1976
VenueCinema Journal (JOURNAL)
Journal identifiersISSN: 0009-7101 • E-ISSN: 1527-2087
PublisherJSTOR (PUBLISHER)
DOI10.2307/1224923
OpenAlexW2320571505
LanguageEN
Citations received1

Art · Art history · Cultural history · Economic history · Humanities · Visual arts · Cinema and Media Studies · History

  • Audiences

    Ian Christie•Audiences•2013

  • Television

    Open Access•Jostein Gripsrud•International Encyclopedia of the…•2015

  • Diferencias y similitudes entre películas de princesas Disney y sus orígenes literarios

    Open Access•Vicente Monleón Oliva•Revista Internacional de…•2020

  • Formation Of The Ambiguous Heroic Archetype

    Open Access•John Thomas Mcguire•CINEJ Cinema Journal•2021

  • Viewpoint, embodiment, and roles in STEM learning technologies

    Open Access•Robb Lindgren, David Deliema•Educational Technology Research…•2022

  • Government versus Industry Self-Regulation

    Tim Covell•Journal of Canadian Studies•2020

  • Jesus of Hollywood

    Adele Reinhartz•Jesus of Hollywood•2007

  • Marketing, cultural hierarchy, and the relevance of critics

    Open Access•Sara Baumann, Shyon Baumann•Poetics•2002

  • Product Differentiation at the Movies

    Open Access•John Sedgwick•The Journal of Economic History•2002

  • Orientalization of an “almost white” woman

    Susan Kray•Critical Studies in Mass…•1993

  • “This ain't no sideshow”

    George Lipsitz•Critical Studies in Mass…•1988

  • Freeze Framing Muslims

    Ziauddin Sardar, Merryl Wyn Davies•Interventions•2010

  • The Memory-History-Popular Culture Nexus

    Open Access•Patricia Leavy•Sociological Research Online•2005

  • The heroic age of American avant-garde art

    Open Access•P Lopes•Theory and Society•2015

  • Self for Sale

    Open Access•Sasha David•Anthropology of Work Review•2007

  • Orchestra seats

    Omayra Zaragoza Cruz•Women & Performance a journal of…•2005

  • Bogart Em Casablanca

    Open Access•L F Sobral•Sociologia & Antropologia•2015

  • Fictional media and imagining escape to rural villages

    Warwick Frost, Jennifer Laing•Tourism Geographies•2014

  • Not a History Lesson

    Open Access•B Ortner, Sherry B Ortner•Visual Anthropology Review•2013

  • Screen Trauma

    Open Access•Amit Pinchevski•Theory Culture & Society•2016

  • Retrospectives

    Patrick Mullins•Journal of Popular Film and…•2001

  • The Page and the Screen

    Joanne McGurk•Journal of Popular Film and…•2014

  • Concealment and Disclosure

    Open Access•Doug Williams•International Political Science…•1991

  • Reputation Work in Selling Film and Television

    Open Access•Stephen Zafirau•Qualitative Sociology•2008

  • Life isn't yet over

    Open Access•Andrea Walsh•Qualitative Sociology•1989

  • Broadway Was Always Here

    Open Access•Jaime Israel Lopez•Journal of Urban History•2025

  • The Video Boom’s Impact on Social Studies

    David M Considine•The Social Studies•1989

  • Two pioneering histories

    David Culbert•Quarterly Review of Film Studies•1978

  • Dinâmicas de espaço do road movie da década de 70

    Open Access•Filipa Rosário•Aniki Revista Portuguesa da…•2014

  • Hollywood in the Hinterland

    Open Access•Caitlin Cieslik-Miskimen•Communication Culture and Critique•2019

  • Picturing uplift

    Denise McKenna•Early Popular Visual Culture•2014

  • Leaving Rosebud, Leaving the Valley

    Open Access•Kathy Merlock Jackson, Ray Merlock•The Journal of American Culture•2006

  • Race Relations on the Silver Screen

    Open Access•Alex Pinelli•The Journal of American Culture•2025

  • Hughes, Hawks, and Hays

    Open Access•Chris Yogerst•The Journal of American Culture•2017

  • Navigating Propaganda's Sea Lanes

    Open Access•William Gray•The Journal of American Culture•2004

  • Explanations for the Restrained Development of the Dutch Cinema Market in the 1930s

    Open Access•John Sedgwick, Clara Pafort‐Overduin et al.•Enterprise & Society•2012

  • Parallel poleis”

    Open Access•Taso Lagos, Taso G Lagos et al.•New Media & Society•2013

  • Happy ever after’ the image of women in four Australian feature films of the nineteen twenties

    M Ruth Megaw•Journal of Australian Studies•1980

  • Indochine and the Politics of Gender

    Joel David•Asian Journal of Women s Studies•2006

  • Theaters of the Profane

    Open Access•Brian Larkin•Visual Anthropology Review•1998

  • Manufacturing the American child

    Nicholas Sammond•Continuum•1999

  • Cinema-going in a port town, 1914–1951

    Open Access•Robert James, Robert C James•Urban History•2013

  • Reanimating experimental psychology

    Open Access•Jeremy Blatter•History of the Human Sciences•2023

  • Movietime U.S.A”

    Open Access•Kathryn Cramer Brownell•Journal of Policy History•2012

  • Movies, Politics, and Censorship

    Open Access•Gregory D Black•Journal of Policy History•1991

  • American Cultural Diplomacy, Hollywood, and the Cold War in Central Europe

    Open Access•Reinhold Wagnleitner•Rethinking Marxism•1994

  • Decent People Shouldn’T Live Here”

    Douglas Muzzio•Journal of Urban Affairs•1996

  • Unions on the silver screen

    Gay P Zieger, Robert H Zieger•Labor History•1982

  • Nightmare on Gay Street

    Open Access•Michael Thorn•The Journal of Popular Culture•2022

  • Media Literacy

    Open Access•Carlos E Cortés•Education and Urban Society•1992

  • Intellectualization and Art World Development

    Sara Baumann, Shyon Baumann•American Sociological Review•2001

  • American Anthropology in the Middle Decades

    Open Access•Sydel Silverman•American Anthropologist•2007

Highly citedNo

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