The Creation and Development of People Show #52
Bibliographic Data
| ID | 8918478 |
|---|---|
| Authors | Victoria Nes Kirby (corresponding author) |
| Year | 1974 |
| Volume | 18 |
| Issue | 2 |
| Pages | 48-66 |
| Publication date | 1974-06-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Drama Review TDR (JOURNAL) |
| Journal identifiers | ISSN: 0012-5962 • E-ISSN: 2326-2060 |
| Publisher | The MIT Press (PUBLISHER • US) |
| DOI | 10.2307/1144902 |
| OpenAlex | W2797011230 |
| Language | EN |
The members of the People Show do not call their presentations “plays.” Nor do they consider themselves to be actors. A show does not begin with a script; there is little or no story or narrative. Between shows, the performers lead very separate lives, but they constantly collect material and ideas for new pieces. When they come together to create a new show, each person contributes his own ideas and helps decide on an over-all structure. They choose their own costumes and create their own characters. The fact that they are all the “authors” of a show and that the characters they play are created from their own imaginations gives the People Show an unusual energy and freedom. Although the structure and images usually remain the same in each repetition, the performers are free to improvise and experiment, using each other, props, and other elements as cues and motifs
Aesthetics · Art · Energy (signal processing · Linguistics · Literature · Narrative · Repetition (rhetorical device · Sociology · Visual arts · Architecture, Design, and Social History · Communication · Computer Science · Cultural Industries and Urban Development · Mathematics · Philosophy
| Highly cited | No |
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