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Victoria Nes Kirby

Biographic Data

ID5425517
NAMEVictoria Nes Kirby
GIVEN NAMESVictoria Nes
FAMILY NAMEKirby
SIGNATUREKIRBY V N
VERIFIEDNo
TOTAL WORKS15
TOTAL CITATIONS0
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1970
LATEST PUBLICATION YEAR1975
H-INDEX0
  • Memé Perlini's “Yellow Whiteness” (with sounds of the sea)

    Open Access•Rino Mele, Victoria Nes Kirby•TRANSLATOR•ARTICLE•The Drama Review TDR•1975

    Memé Perlini has created four works in four years (1972-75): Pirandello Chi? (Pirandello Who?); Tarzan; Yellow Whiteness (with sounds of the sea); and Otello (Othello). Perlini works with lights. At the beginning (in Pirandello Chi?), Perlini used small projectors to quickly extract a series of images from the darkness and then immediately replace them with others, in a very rapid montage. He created many views of the same object by alternating t…

  • Take Off

    Open Access•Allan Kaprow, Victoria Nes Kirby•TRANSLATOR•ARTICLE•The Drama Review TDR•1975

    Take off is at once a parody and a series of collusions masked as deceptions (or put-ons). The central issue is trust in the truthfulness and loyalty of a confederate. The confederate is trusted to carry a desired impression to another person. But she or he is also the confederate of that other person and may not be loyal. The possibility of secrecy and intimacy exist on all sides. And betrayal. But since all three parties become at some point go…

  • Casserole

    Open Access•Victoria Nes Kirby•ARTICLE•The Drama Review TDR•1974

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Creation and Development of People Show #52

    Open Access•Victoria Nes Kirby•ARTICLE•The Drama Review TDR•1974

    The members of the People Show do not call their presentations “plays.” Nor do they consider themselves to be actors. A show does not begin with a script; there is little or no story or narrative. Between shows, the performers lead very separate lives, but they constantly collect material and ideas for new pieces. When they come together to create a new show, each person contributes his own ideas and helps decide on an over-all structure. They ch…

  • Moscow Is Burning (1930)

    Open Access•Vladimir Mayakovsky, Vladimir Vladimirovich Mayakovsky et al.•TRANSLATOR•ARTICLE•The Drama Review TDR•1973

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Marinetti's Short Plays

    Open Access•F T Marinetti, Francesco Cangiullo et al.•TRANSLATOR•ARTICLE•The Drama Review TDR•1973

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Festival Mondial du Theatre

    Open Access•Victoria Nes Kirby•ARTICLE•The Drama Review TDR•1973

    Nancy, a historic city of 150,000 inhabitants, lies near the Meurthe River in the Northeast corner of France. One hundred and ninety miles from Paris and ninetythree from Strasbourg, Nancy is the capital and cultural, commercial, and university center of Lorraine. Nancy became a model of eighteenth-century urban planning under Stanislas I, the last duke of Lorraine. The former king of Poland, Stanislas was given the dukedom in 1737 after his daug…

  • Antonin Artaud in “Les Cenci”

    Open Access•Roger Blin, Antonin Artaud et al.•TRANSLATOR•ARTICLE•The Drama Review TDR•1972

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Mute Canary

    Open Access•Georges Ribemont-Dessaignes, Victoria Nes Kirby•TRANSLATOR•ARTICLE•The Drama Review TDR•1972

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Le Bœuf sur le toit”

    Open Access•Darius Milhaud, Jean Cocteau et al.•TRANSLATOR•ARTICLE•The Drama Review TDR•1972

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Georges Ribemont-Dessaignes

    Open Access•Victoria Nes Kirby•ARTICLE•The Drama Review TDR•1972

    The work of Georges Ribemont-Dessaignes is not very well known in the United States. Although he appears to be a playwright of some importance, none of his plays has, until now, been translated into English. Of course there are reasons for this neglect, one of which may be that he has been involved in other arts, primarily painting, and has not concentrated his energies exclusively in the theatre. During his lifetime, Ribemont-Dessaignes, who is …

  • Victory Over the Sun

    Open Access•Alexei Kruchenykh, Ewa Bartos et al.•TRANSLATOR•ARTICLE•The Drama Review TDR•1971

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Little Trips

    Open Access•Victoria Nes Kirby•ARTICLE•The Drama Review TDR•1971

    Norman Taffel's Little Trips was presented at 70 Grand Street in New York City on the ground floor of a loft building. Passing through a narrow hallway, one entered a small room where some people sat on cots and benches; others stood. Everyone was asked to pay a contribution. At approximately 9 p.m., a young girl in leotard and tights (or a boy in dungarees, depending on who was playing the role that evening) entered from the adjoining room and a…

  • The People Show 39

    Open Access•Victoria Nes Kirby•ARTICLE•The Drama Review TDR•1971

    The People Show 39 was presented for two weeks (from August 19 to September 4, 1971) at the Open Space Theatre on Tottingham Court Road in London, England. The members of The People Show did not rehearse this particular show before the opening. They met together, however, and discussed what images and general dialogue each wanted to perform, as well as the over-all structure and timing of these images in relationship to each other. This resulted,…

  • Synthesis of Syntheses

    Open Access•Guglielmo Jannelli, L Nicastro et al.•TRANSLATOR•ARTICLE•The Drama Review TDR•1970

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

No prominent works on this page.

  • Synthesis of Syntheses

    Open Access•Guglielmo Jannelli, L Nicastro et al.•TRANSLATOR•ARTICLE•The Drama Review TDR•1970

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Victory Over the Sun

    Open Access•Alexei Kruchenykh, Ewa Bartos et al.•TRANSLATOR•ARTICLE•The Drama Review TDR•1971

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Little Trips

    Open Access•Victoria Nes Kirby•ARTICLE•The Drama Review TDR•1971

    Norman Taffel's Little Trips was presented at 70 Grand Street in New York City on the ground floor of a loft building. Passing through a narrow hallway, one entered a small room where some people sat on cots and benches; others stood. Everyone was asked to pay a contribution. At approximately 9 p.m., a young girl in leotard and tights (or a boy in dungarees, depending on who was playing the role that evening) entered from the adjoining room and a…

  • The People Show 39

    Open Access•Victoria Nes Kirby•ARTICLE•The Drama Review TDR•1971

    The People Show 39 was presented for two weeks (from August 19 to September 4, 1971) at the Open Space Theatre on Tottingham Court Road in London, England. The members of The People Show did not rehearse this particular show before the opening. They met together, however, and discussed what images and general dialogue each wanted to perform, as well as the over-all structure and timing of these images in relationship to each other. This resulted,…

  • Antonin Artaud in “Les Cenci”

    Open Access•Roger Blin, Antonin Artaud et al.•TRANSLATOR•ARTICLE•The Drama Review TDR•1972

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Mute Canary

    Open Access•Georges Ribemont-Dessaignes, Victoria Nes Kirby•TRANSLATOR•ARTICLE•The Drama Review TDR•1972

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Le Bœuf sur le toit”

    Open Access•Darius Milhaud, Jean Cocteau et al.•TRANSLATOR•ARTICLE•The Drama Review TDR•1972

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Georges Ribemont-Dessaignes

    Open Access•Victoria Nes Kirby•ARTICLE•The Drama Review TDR•1972

    The work of Georges Ribemont-Dessaignes is not very well known in the United States. Although he appears to be a playwright of some importance, none of his plays has, until now, been translated into English. Of course there are reasons for this neglect, one of which may be that he has been involved in other arts, primarily painting, and has not concentrated his energies exclusively in the theatre. During his lifetime, Ribemont-Dessaignes, who is …

  • Moscow Is Burning (1930)

    Open Access•Vladimir Mayakovsky, Vladimir Vladimirovich Mayakovsky et al.•TRANSLATOR•ARTICLE•The Drama Review TDR•1973

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Marinetti's Short Plays

    Open Access•F T Marinetti, Francesco Cangiullo et al.•TRANSLATOR•ARTICLE•The Drama Review TDR•1973

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Festival Mondial du Theatre

    Open Access•Victoria Nes Kirby•ARTICLE•The Drama Review TDR•1973

    Nancy, a historic city of 150,000 inhabitants, lies near the Meurthe River in the Northeast corner of France. One hundred and ninety miles from Paris and ninetythree from Strasbourg, Nancy is the capital and cultural, commercial, and university center of Lorraine. Nancy became a model of eighteenth-century urban planning under Stanislas I, the last duke of Lorraine. The former king of Poland, Stanislas was given the dukedom in 1737 after his daug…

  • Casserole

    Open Access•Victoria Nes Kirby•ARTICLE•The Drama Review TDR•1974

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Creation and Development of People Show #52

    Open Access•Victoria Nes Kirby•ARTICLE•The Drama Review TDR•1974

    The members of the People Show do not call their presentations “plays.” Nor do they consider themselves to be actors. A show does not begin with a script; there is little or no story or narrative. Between shows, the performers lead very separate lives, but they constantly collect material and ideas for new pieces. When they come together to create a new show, each person contributes his own ideas and helps decide on an over-all structure. They ch…

  • Memé Perlini's “Yellow Whiteness” (with sounds of the sea)

    Open Access•Rino Mele, Victoria Nes Kirby•TRANSLATOR•ARTICLE•The Drama Review TDR•1975

    Memé Perlini has created four works in four years (1972-75): Pirandello Chi? (Pirandello Who?); Tarzan; Yellow Whiteness (with sounds of the sea); and Otello (Othello). Perlini works with lights. At the beginning (in Pirandello Chi?), Perlini used small projectors to quickly extract a series of images from the darkness and then immediately replace them with others, in a very rapid montage. He created many views of the same object by alternating t…

  • Take Off

    Open Access•Allan Kaprow, Victoria Nes Kirby•TRANSLATOR•ARTICLE•The Drama Review TDR•1975

    Take off is at once a parody and a series of collusions masked as deceptions (or put-ons). The central issue is trust in the truthfulness and loyalty of a confederate. The confederate is trusted to carry a desired impression to another person. But she or he is also the confederate of that other person and may not be loyal. The possibility of secrecy and intimacy exist on all sides. And betrayal. But since all three parties become at some point go…

Art (9 works) · Computer Science (9 works) · Visual arts (5 works) · Art history (4 works) · Mathematics (4 works) · Sociology (4 works) · Content (measure theory (3 works) · History (3 works) · History (3 works) · Information retrieval (3 works)

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