Memé Perlini's “Yellow Whiteness” (with sounds of the sea)
Bibliographic Data
| ID | 8918518 |
|---|---|
| Authors | Rino Mele (corresponding author) |
| Translators | Victoria Nes Kirby |
| Year | 1975 |
| Volume | 19 |
| Issue | 4 |
| Pages | 9-18 |
| Publication date | 1975-12-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Drama Review TDR (JOURNAL) |
| Journal identifiers | ISSN: 0012-5962 • E-ISSN: 2326-2060 |
| Publisher | The MIT Press (PUBLISHER • US) |
| DOI | 10.2307/1145010 |
| OpenAlex | W2797319183 |
| Language | EN |
Memé Perlini has created four works in four years (1972-75): Pirandello Chi? (Pirandello Who?); Tarzan; Yellow Whiteness (with sounds of the sea); and Otello (Othello). Perlini works with lights. At the beginning (in Pirandello Chi?), Perlini used small projectors to quickly extract a series of images from the darkness and then immediately replace them with others, in a very rapid montage. He created many views of the same object by alternating the turning on and off of projectors that were placed in different positions. The object was often a performer (for example, a man on a swing was lit by two lights, one above and one below him, that were turned on and off, alternating frenetically)
Art · Art history · Object (grammar · Visual arts · Artificial Intelligence · Computer Science · Digital Games and Media
| Highly cited | No |
|---|